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It is advanced firstly that trilingual education is based upon the multicultural education pedagogically and upon the development of bilingual education theoretically and practically. In addition, the research into trilingual code-witching becomes all the more important and significant due to the fact that trilingual education is a newly-developed research subject. The present study is of considerable significance in that it not only enriches the research of code-switching both in general setting and in classroom context, fosters conceptualization and implementation of trilingual education, but provides the implications for the EFL education for ethnic minority learners.

本章首先指出多元文化教育思想是三语教学的教育学基础,双语教育的蓬勃发展是三语教学的理论和现实基础,而三语教学研究的前沿性和创新性则为三语环境下教师课堂语码转换研究提供了广阔的生长空间和全新的研究意义;就研究意义而言,本研究在丰富和发展语码转换和课堂语码转换研究,对三语教学理论构想和实施,以及对民族外语教育的启示等方面都有重要理论和现实意义;本研究的特色与创新表现在对三语环境下教师课堂语码转换的影响模式及生成机制的构建,对三语教学的文化生态分析,对三语教师话语特征的解读,对三语环境下外语教育的课程特征、语言价值和文化追求的阐释,以及研究设计的特色与创新上。

The paper is structured as follows: section 1 provides an introduction of practical background, research issues, related notion, research framework, research method and innovation points. Section 2 presents related literature review and comments. Section 3 focuses on the research on the factors of industrial environment and networking backgrounds which influencing dualistic-innovation of clustered firms, and puts forward the hypothesizes; Section 4 is the empirical research that inspect and verify the authenticity of hypothesis proposed in section 3; section 5 concentrates on research on coordination mechanism of dualistic-innovation for clustered firms; section 6 is another empirical research that exam the theoretical derivation of section 4; followed by section 7, the conclusion and suggestion for government policy and further research.

论文的主要内容如下:第一章是绪论,介绍研究的现实背景、研究问题、x相关概念、研究框架、研究方法和创新点等;第二章是对文章所涉及的创新领域研究文献的回顾与评述;第三章是网络视角的集群企业二元式创新的影响因素研究,分析影响集群企业二元式创新活动的产业环境和网络环境的关键因素及其作用机制,并提出相应的命题假设;第四章是对应的实证分析,检验上一章提出的二元式创新影响因素的命题假设成立与否;第五章是网络视角的集群企业二元式创新的协调方式研究,提出相应的协调模型和具体的运行机制;第六章同样是对应性的实证分析,检验集群企业二元式创新协调方式的理论推导;第七章是结论、建议与未来的研究展望。

To revivify the study on the spatial structure of urban commercial activity, which arose and thrived in 1980s, but is being stagnant in 1990s, the authors elaborate some concerns of the study on the spatial structure of urban commerce in direction and framework.

针对当前我国商业活动空间结构研究相对低靡的现状,本文对城市商业活动空间结构的概念和研究框架、评价和研究方法体系、亟待研究的重点以及中心性和城市区域关系等几个问题进行了概述,以期开创相关研究的新领域。

The research literature on stock market in modern China can be summarized in five aspects: the research on enterprises and industries, the research on exchange intermediaries, the research on the market system, the research on stock market quotation, the research on the causes, development and evolution of modern stock market.

对近代中国股票市场研究的文献可以归纳为五个方面:对企业和行业的研究;对交易中介的研究;对市场制度的研究;对交易行情的研究;对近代股票市场产生原因、发展演变规律的研究。

The method of cultural explanation defines the research of literary history as the course of communication between the object and subject of research and s tresses the subjective individual cultural function and explanative effect,w hereas the knowledgeability and effectiveness it studies can hardly be estab lished universally.

文化阐释方法将文学史研究判定为研究对象与研究主体在现时态中相互建构的个体对话过程,强调研究主体的个性文化功能和阐释效应,但其研究的知识性、有效性难以得到普遍的确立。

Themethod of cultural explanation defines the research of literary history asthe course of communication between the object and subject of research and s tresses the subjective individual cultural function and explanative effect,w hereas the knowledgeability and effectiveness it studies can hardly be estab lished universally.

文化阐释方法将文学史研究判定为研究对象与研究主体在现时态中相互建构的个体对话过程,强调研究主体的个性文化功能和阐释效应,但其研究的知识性、有效性难以得到普遍的确立。

There are some new points in the paper: first, the existing research mainly focuses on the field of history and culture, less studies it from the perspective of sociology. So it is, to some degree, an explorative research.

研究的创新点主要有:一、现有的研究大多集中在历史、文化等研究领域,而从社会学角度进行的研究非常缺乏,因此这是一项有价值的探索性研究。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义?对於上述疑惑,查既有研究成果,不消没有论述者,具体提即「京调排场」现象的可说没有,基於此,有必要对台南市及其周边之民俗性京调排场,不管是语汇来由或者其现象本身,做一番研究。本研究透过文献、访谈、口述史、参与观察等方法,以文化有机体之纵的发展概念为经,以民俗表演之横切面各主客要素为纬,试图先对此文化现象调查并推论出一概貌:台南市民俗性京调排场的形成,是在京调传入台南,台南本地北管子弟改习或兼习京调后,结合北管音乐文化所固有的排场表演型态及民俗演出传统,融合而成,形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友,和中国大陆琴师等等),也曾透过与当地子弟的接触,而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时,对其有义务或交陪的庙宇及子弟间做酬酢性的演出,不收报酬;聆赏者多是京调同好与邻近民众,也有少数路过者;演出模式包括节目安排、乐队编制皆有一定;表演意涵上以「扮仙」祈求神明赐福人间最为重要,因此排仙必不可少,且一定先於京调演唱。随著时间推移,京调排场表演活动的各要素都有变动,惟变迁速度不一,大体而言,业余表演者锐减,人们对酬神娱神节目的需求仍在,因此一些过往的业余表演者遂逐渐转型为职业表演者。此外,虽然表演意涵不变,但在职业表演人员少、又要适应市场的情况下,表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中,而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者,据此概貌,在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象,可视为京剧研究与民俗研究的一环,然而对於台湾文化研究,除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型,进一步扩充整体台湾文化研究的内容外,更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史,其文化自然容易随社会环境改变而弹性适应变迁,呈现多元纷呈、多重覆叠的特色,因此展望未来,从事台湾文化研究应秉除单一观点,保持一定程度之开放与客观胸襟,方不忽视或误识更多重要的文化现象。

In this paper,the present status of the Polycarboxylic superplasticizer research at home and abroad,the present status of three different synthesises research,action mechanism were introduced in detail.

介绍了聚羧酸系高性能效减水剂国内外研究现状、目前3种不同合成方法的研究现状及优缺点、作用机理的研究,提出一些亟待深入研究的问题及聚羧酸系高性能减水剂今后的研究方向。

To the writer point of view, legal science is an opening subject where no stable answer could be given to lots of problems. And also because of my limited knowledge, instead of completely reconstruct after overthrow, I just laid out some suggestions, that is, we should transform our research method from practical to philosophical, from simply study within Jurisprudence area to trans-subject study, from remedy methodology to reconstruction methodology, from single visual to mulplism visual, from class research method to revolutional research method.

因为笔者认为法理学本身是个开放性的学科,很多问题并没有固定的结论,又因为笔者的才疏学浅,所以笔者并没有能力在&颠覆&之后重新&建构&,而只能就前文的分析和论证提出几点建议:第一,从实证法理学研究向哲理法理学研究的转变;第二,单一学科研究向跨学科研究的转变;第三,修补式的方法论向重构式的方法论转变;第四,一元的研究视角向多元的研究视角转变;第五,阶级性的研究范式向革命性的研究范式的转变。

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Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势,并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围,比喜马拉雅山更加陡峭,是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞,高原已上升至五千米,这种碰撞持续至今,毫无衰退。