短耳

The labyrinthine segment is the thinest and shortest, With the diameter of 1.47±0.08 and the length of 2.64±0.37, and is closely related with cochlear and supperior semicircular canal.

迷路段最短最窄，与耳蜗和上半规管关系密切，长度为 2.64±0.37，其中部前后方向直径为 1.47±0.08。

Leaves densely gray-white pubescent abaxially; basal leaves basally rounded or subcordate; cauline leaves not auriculate; spikes 2-3 cm, 1-1.5 cm in diam.

叶浓密灰白色短柔毛背面；基部的基生叶圆形的或近心形；茎生叶而不是耳形；穗状花序2-3厘米，1-1.5厘米直径 46 P 。

Paolo-fuori-le-Mura in Rome, the transept seems to have been added to the Roman basilica to afford an open space around the site above the grave of the saint.

耳堂方向短正厅方向长的巴西利卡，形成了拉丁十字这种新的教堂平面形制，随后一直用于中世纪教堂。

Culms 2–5 m, 5–12 mm in diam.; internodes terete, 20–32 cm, pith spongy; nodes weakly prominent, sheath base persistent, corky, glaucous, pilose; intranode ca. 9 mm. Culm sheaths persistent or late deciduous, brown, shorter than internodes, fragile, densely setose; auricles falcate; oral setae ca. 5 mm; ligule arcuate, ca. 2 mm; blade triangularly ovate-lanceolate, abaxially slightly hairy at base.

秆2-5米，5-12毫米直径；节间圆柱状，20-32厘米，木髓海绵状；节身体虚弱突出，宿存的鞘基部，木栓质，有白霜，； intranode约晚落叶的9毫米竿箨宿存或，棕色，节间，脆的短于，密被刚毛；叶耳镰刀形；口头的刚毛约5毫米；弧曲的叶舌，约2毫米；叶片三角形卵状披针形，背面的稍有毛在基部。

Had he done so, he would have seen the host of the Cross of Colbas standing on his threshold, surrounded by all the guests of his inn, andall the passers-by in the street, talking vivaciously, and pointing him out with his finger; and, from the glances of terror and distrust cast by the group, he might have divined that his arrival would speedily become an event for the whole town.

假使他回转头来，他就会看见那柯耳巴十字架的旅舍主人正立在他门口，旅舍里的旅客和路上的行人都围着他，在那里指手画脚，说长论短；并且从那一堆人的惊疑的目光里，他还可以猜想到他的出现不久就要搞得满城风雨。

1 Induction signal sent to the micro ear unit is relatively weak in its nature, that means the transmitter and the micro ear unit must be within relatively short range.

2.7.1感应信号传送到微型耳朵相对薄弱单位的性质，这意味着发射机和微耳单位必须是在相对较短的范围。

The representative families are Dryopteridaceae, Athyriaceae, Polypodiaceae, Thelypteridaceae, Selaginellaceae and Aspleniaceae. The main genera are Dryopteris, Selaginella, Asplenium, Arachniodes, Pteris, Allantodia and Plagiogyria. The top families' distribution types are cosmopolitan and pantropic ones, the main genera are pantropical ones, while species distribution type belong to the east Asia type and represents the feature of subtropics transition to warm temperated areatype. As for the order of closeness, the sequence of pteridophytes floristic relations between Songyang and the adjacent regions goes as Southwest China, South China, Central China, Japan, North China, Northwest China and Northeast China. The six upland pteridophytes next to Songyang can be put into the same natural flora because of its closest relationship. But compared with other 11 upland fern flora in China, fern in Songyang is not rich enough. There are 37 species endemic to China in Songyang.

结果表明，松阳蕨类植物共有38科72属161种7变种；优势科为鳞毛蕨科、蹄盖蕨科、水龙骨科、金星蕨科、卷柏科、铁角蕨科，优势属为鳞毛蕨属、卷柏属、铁角蕨属、复叶耳蕨属、凤尾蕨属、短肠蕨属、瘤足蕨属；科的分布以世界分布和泛热带分布为主，属的分布以泛热带分布为最多，种以东亚分布类型为主，特别是中国—日本分布类型最多，表现出亚热带向暖温带过渡的特点；本区与邻近地区蕨类植物区系关系的密切程度由大到小依次为西南、华南、华中、日本、华北、西北、东北；与邻近的6个山地蕨类植物区系的亲缘关系密切，可以划为同一自然区；与国内11山地蕨类植物区系相比，松阳的蕨类植物丰富程度不高；松阳拥有37种中国特有蕨类植物及一些珍稀蕨类植物，有较高的保护价值。

Cauline leaves shortly petiolate or sessile, not auriculate, entire, dentate, or serrate.

或者无柄的茎生叶具短叶柄，并非耳形，整个，有齿，或者使成锯齿波。

Cauline leaves shortly petiolate or sessile, not auriculate, entire or pinnatisect.

茎生叶具短叶柄或者无柄，并非耳形，整个或者羽状全裂。

Methods 4 adult male cadaveric (8 sides) were dissected to study the position of the auriculotemporal nerve and masseteric nerve ...

结果所有耳颞神经干均有部分与关节囊或髁状颈部骨质直接接触，最长有14.6mm，最短为5.6mm；在关节囊内侧分支最多，平均为3.5支，而在关节囊前壁没有分支。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。