短片

I just got these vids from some of my fans.

我刚从我的一些歌迷那儿得到了这些短片。

So up all the vids u can over to me !!

所以上传所有你们能超越我的短片吧！！

When the camera panned to the winners for best animated short,"The Danish Poet," they were seated all the way back in Reseda; their journey to the stage took three times as long as their acceptance speech.

比如，当摄像机把镜头聚焦在最佳动画短片&丹麦诗人&，他们的座位如此靠后，以至于从座位走到讲台所花费的时间是获奖感言的三倍长。

Hood said the original movie is not out on DVD yet and when it does it would comprise the follow-ing: the real version of the movie, the director's commentary and the two other endings that were considered, ie the one where Tsotsi is shot and the other one where he runs away, a 22-minute short film by Hood called Storekeeper and homecoming scenes after the Oscars.

胡德表示，原本的电影还没有推出DVD，等到推出时，会包含以下内容：电影的「正版」、导演评论，以及另外两个设想过的结局，包括Tsotsi被枪杀以及逃跑的结局；此外，再加上导演另一部22分钟的短片《店老板》以及获颁奥斯卡之后光荣返国的纪录。

After this masterly evocation of a world of northern imagination, a film that can rank with Dreyer's Vampyr and serves as a reminder of Epstein's part-Polish ancestry, the director largely withdrew from the world of Parisian film production. With only occasional forays into commercial filmmaking, Epstein devoted much of his efforts from the silent Finis terrae in 1929 to the short Le Tempestaire in 1947 to a masterly series of semi-documentary evocations of the Breton countryside and seascape.

在《厄舍古厦的倒塌》后，爱浦斯坦几乎远离了法国电影制作圈，偶尔才会在商业电影制作中出现，他把大部分的精力和时间投入在了《沉默的菲尼斯特莱》（1929），以及短片《风暴》（1947）这些电影上，更创作出了一系列关于布莱顿乡村和海滨生活的大师级水准的半记录影片。

Volunteer:There is a cinema ,offering telefilms that introduce the attractive sceneries inSxitzerland .Exhibition within the pavilion cover urban development and planning, water treatment

志愿者：场馆内有一个电影院，放映极富有吸引力的瑞士风光短片，还会展示城市的发展和规划，水解决技术以及节能技术。

Volunteer:There is a cinema ,offering telefilms that introduce the attractive sceneries inSxitzerland .Exhibition within the pavilion cover urban development and planning, water treatment

志愿者：场馆内有一个电影院，放映极富有吸引力的瑞士风光短片，还会展示城市的发展和规划，水处理技术以及节能技术。

Third, the study of key points in the course of short telefilm creation.

三、电视短片创作中的关键点研究。

This part carries on more systematic summary to short telefilm creation in terms of artistic creation.

这一部分从艺术创作的角度对电视短片的创作进行较系统的总结。

Second, the short telefilm creation system.

二、电视短片创作体系。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。