短片

Short videos, often parodies of classic movies or events in everyday life, have grown in popularity in China, as they have elsewhere.

往往对经典电影或日常生活中事件进行讽喻的网络视频短片，像在其它地方一样，在中国越来越流行。

Across material from all his clients, about 20% gets blocked for reasons such as a user piggybacking on footage to push their own website or because the use does not fit the original's values.

在他所有客户的全部作品中，其中有大约20％被阻止放到网上，原因各种各样，如有的用户借这些短片来推广他们自己的网站，有得使用不符合原创者的意图。

I am not in charge of the promos or of the website.

网站內容以及宣传短片不是由我来管的。

Mann punctuates the conversation with what happens at each of the five stops, where he uses detailed character roles and convincing dialogue by writer Stuart Beattie to create, essentially, more short films that could be free-standing.

Mann不断用五个目的地所发生的事情打断这场对话，由此导演呈现了编剧Stuart Beattie所塑造出来的复杂的人物性格以及其间令人信服的对话，类似独立短片。

This video is about how to reassembling the wooden ball puzzle.

这套短片是有关如何组合六件装智慧积木。

We also encourage you to use them in your own animation reels, short films etc...

我们也鼓励您使用自己的动画辘他们，短片等。。

01 Is a brief animation based on real life. It retells a series of unexpected events that occur in a small park and cause a chain reaction.

4'01 是一部以现实生活中发生的事情为题材的动画短片，主要讲述了发生在一个小公园中的一连串连锁反应的突发事件。

Lu said he accepted the task just when he was putting finishing touch to his anti-fascist film Nanking!

陆川说他是在2009年初接受这个短片拍摄任务的，当时他即将完成自己的反法西斯影片《南京！

In the story, which he expanded from his Oscar-nominated short film, nine doll-like characters fight sentient machines that were invented to wage war but eventually turned on humans.

改编自阿克获得奥斯卡提名的同名短片，讲述九个布娃娃大战机械兽的故事；机械兽原本是为了发动战争而发明，但是最后却开始攻击人类。

All of his films since "Tom Sweep" feature Michael's trademark brush stroke drawing and his use of ink and watercolour, very much inspired by Chinese and Japanese art.

他所有的动画短片里面，从&Tom Sweep&之后，正是受到了中国和日本艺术的启发，那些带着毛笔笔触的描绘和水墨色彩的运用成为了他作品的特色。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。