矫饰

His paintings show a kind of individual heroism, which is so rare in our times. The contemporary painting circle is full of queerness and namby-pambyism, vulgar game and spiritual compromise. So when this young artist emerged with critical attitude of distain and antagonism, he looked quite distinctive of others and well acclaimed.

他的绘画表现出一种个人英雄主义的气质，在我们的这个年代显得罕见，当代绘画的领域内确实充溢了炫奇和矫饰，低俗的游戏性与不断的精神妥协，当这位年轻的艺术家以充满蔑视和对抗的批判姿态出现的时候，他就显得如此与众不同，并且倍受瞩目。

From Sextus, a benevolent disposition, and the example of a family governed in a fatherly manner, and the idea of living conformably to nature; and gravity without affectation, and to look carefully after the interests of friends, and to tolerate ignorant persons, and those who form opinions without consideration: he had the power of readily accommodating himself to all, so that intercourse with him was more agreeable than any flattery; and at the same time he was most highly venerated by those who associated with him: and he had the faculty both of discovering and ordering, in an intelligent and methodical way, the principles necessary for life; and he never showed anger or any other passion, but was entirely free from passion, and also most affectionate; and he could expressed much knowledge without ostentation.

从塞克斯都，我看到了一种仁爱的气质，一个以慈爱方式管理家庭的榜样和合乎自然地生活的观念，看到了毫无矫饰的庄严，位朋友谋利的细心，对无知者和那些不假思索发表意见的人的容忍：他有一种能使自己和所有人欣然相处的能力，以致和他交往的愉快胜过任何奉承，同时，他又受到那些与其交往者的高度尊敬。他具有一种以明智和系统的方式发现和整理必要的生活原则的能力，他从不表现任何愤怒或别的激情，完全避免了激情而同时又温柔宽厚，他能够表示嘉许而毫不啰嗦，拥有渊博知识而毫不矜夸。

From Sextus, a benevolent disposition, and the example of a family governed in a fatherly manner, and the idea of living conformably to nature; and gravity without affectation, and to look carefully after the interests of friends, and to tolerate ignorant persons, and those who form opinions without consideration: he had the power of readily accommodating himself to all, so that intercourse with him was more agreeable than any flattery; and at the same time he was most highly venerated by those who associated with him: and he had the faculty both of discovering and ordering, in an intelligent and methodical way, the principles necessary for life; and he never showed anger or any other passion, but was entirely free from passion, and also most affectionate; and he could express approbation without noisy display, and he possessed much knowledge without ostentation.

从塞克斯都，我看到了一种仁爱的气质，一个以慈爱方式管理家庭的榜样和合乎自然地生活的观念，看到了毫无矫饰的庄严，为朋友谋利的细心，对无知者和那些不假思索发表意见的人的容忍：他有一种能使自己和所有人欣然相处的能力，以致和他交往的愉快胜过任何奉承，同时，他又受到那些与其交往者的高度尊敬。他具有一种以明智和系统的方式发现和整理必要的生活原则的能力，他从不表现任何愤怒或别的激情，完全避免了激情而同时又温柔宽厚，他能够表示嘉许而毫不啰嗦，拥有渊博知识而毫不矜夸。

And he is like that, without superficial showiness.

而且他很喜欢这样做，毫无虚假的矫饰行为。

What still hopelessly confronts with it are no more than some illusions in his heart…Back to the ancient times, the legendary spirit and ambience have once governed the ancient time, stationing it in images/illusions…to receive them, to welcome them with open arms, with strained, graceful, enchanting and even stingingly coarse popular styles, might be the ultimate fascination that Hong Lei' s work gives us – a kind of apocalypse that alarms, confuses, dopes and attracts us.

灵晕永逝，现实肆虐，心智生活已遭腐蚀和败坏，时代坠落于虚空……工业浩劫不过是一个外因，与之绝望相持的惟有内心仅有的若干幻影……回撤至古代，那个传说中灵晕曾经统治过的古代，使它驻留在影像、幻景之中……用矫饰、优雅、迷狂甚至粗鄙触目的通俗风格去迎接它们，把它们纳入怀抱，可能就是洪磊作品留给我们的内心迷思，一种使我们为之惊悚、疑惑、麻醉和不知所终的末世预告。

The undecorated walls, the ex-complicated lines and forms, and the casual division of main wall from the supplementary with mild and light grey latex paints, tranquil, fresh and simple yet rich with delicacy of lighting, so coinciding with the pleasant simplicity of Suzhou.

无矫饰的墙面、过杂的线条造型，只利用中灰色和浅灰色的乳胶漆对整个空间的墙体加以主次的区分，清新宁静，再用简单而又十分巧妙的灯光效果，恰好地印合了苏州的淡雅宜人。

From almost nothing — a little paint, a stretch of cloth, a freed-up mind and an unembarrassed heart — he made this.

几乎一无所有，仅用一点颜料，一块画布，一个摆脱束缚的精神，一颗不再矫饰的心，他创作了这些作品。

Man conceived a dream of home thousands of years ago; Man pursued for such dream during such years. This is the simplest dreama dream of life. All feigning and unnaturalness will be dejected before human smile.

千年之前，人们构筑了一个家的梦想；千年之中，人们追寻着这个居住的梦想；这最朴实的梦想，只属于生活的梦想，让一切矫饰、造作在人的笑容前暗淡无光。

In this critically acclaimed bittersweet and highly entertaining comedy, director and co-screenwriter Danièle Thompson ( Décalage horaire / Jet Lag ) unpretentiously tackles the big themes of Life and Art.

在这部备受赞赏，苦乐参半又娱乐性丰富的影片中，导演兼剧作家丹妮尔。汤逊以毫不矫饰的手法处理生命和艺术这两大题目。本片的编剧兼导演米高歌治是一位创意无限的创作人，他的电影《无痛失恋》、音乐和广告创作曾赢取多个奖项。

It teaches us unsophistication in a sophisticated world.

它教我们在矫饰的世界里保持着朴实真挚。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。