瞿

The obesity of Qu's figures is also suggestive. Overweight figures with stereotypic Chinese facial characteristics have expressively represented the insignificant multitude, and their intolerable mediocrity is an irony of the divinity they believe in. Such a sardonicism has existed in both the eastern and western worlds for a long time, but the artist did not merely appropriate it, instead, he transforms it .

另一方面，臃肿造型在瞿广慈作品中起了极大作用，臃肿且具有中国五官特色的人物是一种象征，是一中国人的标签，是将凡俗领域中的平庸推到极致的表现，是嘲笑神性领域至高性的无情揶揄；隐藏在这些丰厚人体后的尖锐讽刺，奠基于东西方历史中以存有的文本，但却不是单纯的印象复制，而是艺术家经过省思后的形式再造。

The 193-km-long Three Gorges, consisting of the majestic Qutangxia, statuesque Wuxia and ferocious Xilingxia gorges, is one of and ferocious Xilongxia gorges, is one of the world's major canyons.

在193公里长的三峡，瞿塘峡的雄伟，体态优美的武侠和凶猛的西陵峡峡谷组成，是一种凶猛Xilongxia峡谷，是世界主要的峡谷之一。

Ma Sicong's Second Symphony, Ju Wei's tone poem Monument to the People's Heroes, Zhu Jianer's Festival Overture, and Jiang Wenye's Folk Ballad and Village Dance and Fourth Symphony ?300th anniversary of Zheng Chenggong's Recovery of Taiwan.

马思聪的《第二交响曲》、瞿维的交响诗《人民英雄纪念碑》、朱践耳的《节日序曲》、江义也的《俚谣与村舞》和《第四交响曲--纪念郑成功收复台湾三百周年》等。

As he was sitting there he said to the Blessed One:"Now then, does Master Gotama claim,'I have awakened to the unexcelled right self-awakening?'"

在友好礼貌的问候及客套之后，他在一边坐了下来并对世尊说："瞿昙！你是否自称已经获得完全圆满正确的觉悟？"

In Qu's sculptures, the contrast between the lanky trees and heavy figures, as well as the contract between the huge figures and the unproportionate becomes the irony of the the authorization.

瞿广慈的雕塑造型，经常以拉长的树木、支架作为和浑厚人体的对照，这类的对比性也同样出现在角色和器具（缩小的菜刀、不成比例的沙发、略显娇小的马）之间，显现出权力者的「重」。

Then another devata exclaimed in the Blessed One's presence: What a thoroughbred is Gotama the contemplative!

& 接著另一位天人来到世尊面前说：&瞿昙真有如一匹良马啊！

Then another devata exclaimed in the Blessed One's presence: What a lion is Gotama the contemplative!

& 接著另一位天人来到世尊面前说：&瞿昙真有如一头狮子啊！

Then another devata exclaimed in the Blessed One's presence: What a peerless bull is Gotama the contemplative!

& 接著另一位天人来到世尊面前说：&瞿昙真有如一头大力牛啊！

Then another devata exclaimed in the Blessed One's presence: What a strong burden-carrier is Gotama the contemplative!

& 接著另一位天人来到世尊面前说：&瞿昙真有如一位强壮的驮兽啊！

Then another devata exclaimed in the Blessed One's presence: What a tamed one is Gotama the contemplative!

& 接著另一位天人来到世尊面前说：&瞿昙真有如一位驯服之兽啊！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。