瞬间的

The film or movie is the most popular and common video resource. In this paper we use the film video as an example, aims to implement real-time retrieve of explosion and shot scenes, has carried on the following research mainly: first, we proposed a method of real-time recognition of explosions based on dominate-color and audio information and improved the accuracy the retrieve;second, we proposed a method of real-time retrieve of shots scenes based on audio information and differences between frames when the shot occurs;third,a whole video abstraction system is proposed, it can cut off the clips which have been retrieved and merge them into a independent video abstraction in the same time edit the information of the it ;forth, it offers two-level retrieval structure of"key frame-highlights"and can play segmentation result and the whole video just like a video player.

电影或电视剧视频是人们日常生活中最喜闻乐见也是最常见的视频内容，本课题以此类视频为研究素材，目的是实现实时爆炸和枪击场景的检测，主要进行了以下几个方面的研究：1针对视频中爆炸场景的主色和音频特点，提出了一种基于声像特征的实时爆炸场景检测算法；2捕捉视频中枪击事件瞬间的帧间变化信息和相应音频信息，提出了一种基于声像特征的实时枪击场景检测算法；3从原始视频中切割检索到的精彩视频场景合并成单独精彩缩略视频，并可进行相关信息编辑，形成比较完备的视频摘要系统；4形成关键帧-精彩视频场景的二级浏览结构，可对分割结果或整个视频片断进行播放，基本实现播放器的功能。

The results showed that there existed variation among eucalypt families in wood physical-mechanical properties and wood chemistry. There were significant differences among E.pellita families、E.grandis families and E.urophylla譋.grandis clones in wood colors as well as between Strains and within trees.The variation of the surface wetability of wood between E.grandis families and E.urophylla譋.grandis clones were significant.Even in the same families level or clones level,there still existed the same regulation. The degree of collapse of eucalypt had a large relation in the amount of tylosis in vessel and vestured pits on the cell wall of vessel. The more rich tylosis and vestured pits in vessels,the more probability to occur collapse for eucalypt.The biggest moment collapse was probably the critical point of the drying degrade.During the fomulation of drying technology,it is necessary to adopt moderate condition to make the vessels which had formed the biggest moment collapse at the biggest moment collapse resume,especially to prevent the permanent set.At the normal temperature level,the main factors which influenced residual collapse were the contents of ray parenchyma and axial parenchyma .Nearly all the cells joined the course of forming the moment collapse and biggest moment collapse.Interval drying was fit for eucalypt plantation which was easier to make collapse.

研究表明：桉树不同家系间木材物理力学性质和化学组成存在差异；粗皮桉家系间、巨桉家系间、尾巨桉无性系间材色存在显著差异，株间、株内木材材色存在变异；桉树木材表面润湿性在巨桉家系间、尾巨桉无性系间存在着显著差异，在同一家系或同一无性系中，株间和株内也存在着相同的变化规律；桉材皱缩程度与其导管中侵填体的多少和导管壁上纹孔具有的附物多少密切相关，侵填体含物越丰富，纹孔附物越多，桉材越容易皱缩；最大瞬间皱缩是能产生更大干燥降等的临界点，在制定干燥工艺时，必须在最大瞬间皱缩发生时，采用温和条件，使已产生最大瞬间皱缩的细胞尽可能多的恢复，尤其不能使其产生永久变定；在常温条件下，影响残余皱缩的主要因子是射线薄壁细胞和轴向薄壁细胞含量；而对于瞬间皱缩和最大瞬间皱缩，几乎所有细胞都参与它们的形成过程；对于易皱缩的桉树木材，间歇干燥是最有前途的干燥方法。

The right humanity immerses in the heaven of heavens which oneself creates, forgets oneself, just like the astronomy expected many times such as well as the Earth history once performed the dissimilarity, came from the nameless interspace because the instantaneous interspace erupted the volume giant planetoid which formed, was raiding by the extremely high speed to our sky-blue Earth, moreover the track probably passed through the precise trajectory computation to resemble, 100% collisions to the Earth, launched in the entire human history the only globalization uniformization integration to save Earth's great campaign from this, but after all turned danger into safety, the humanity more and more discovered, each other was such is familiar with such need each other, therefore humanityAfter separates mutually repelled mutually has conquered mutually for several million years, finally under the rational impel has realized the final return unification, from this time on also did not have the language, the custom, the belief difference again, again also did not have the region, the skin color, consciousness barrier, the humanity finally to construct belonged to each earthman's Earth to unify the extremely happy heaven!

正当人类沉浸在自己一手缔造的极乐世界中，忘乎所以的时候，正如多次天文预料的那样以及地球历史曾经上演的一样，一颗来自无名星际间由于瞬间的星际爆发所形成的体积巨大的小行星，正以极高的时速袭向我们蔚蓝色的地球，而且轨道好像经过精确弹道计算似的，百分之百的撞向地球，由此展开了整个人类历史上唯一一次全球化一致化整体化拯救地球的伟大战役，而当一切都化险为夷之后，人类越来越发现，彼此是这样的熟悉这样的需要彼此，于是人类在互相分离互相排斥互相征服了几百万年之后，终于在理性的感召下实现了最终的回归统一，从此再也没有了语言、风俗、信仰的差别，再也没有了地域、肤色、意识的障碍，人类终于构建成了属于每一个地球人的地球统一极乐天堂！

Their conceptuality is manifest in the temporal and spatial criss-crossing and overlapping images. For instance, in his work, life means mundane everyday life while human characters embody today's sense of reality. Counter-intuitively, this sense of 'present' is expressed by ancient techniques and stylistic expressions. Moreover, the stylistic formulation of human characters in his works derives from the fresco painting of Yongle Temple in Shanxi. This is particularly manifest in the graphic forms of faces and hands. Meanwhile by utilizing various surface treatments, the artist has also managed to create a variegated effect of textures that resembles ancient fresco painting.

当代性在于他对于现实生活的关注、表现和当代艺术方法论意义上的个人语汇的形成；而观念性则体现在对于时空切换瞬间的交叉和影像的重叠，例如，生活是当代的世俗生活，人物体现了今天的现实感觉；但表现方法却是一千年前的，人物的造型手法是山西永乐宫壁画，脸和手的造型尤其接近；更为特殊的是，通过各种手法的肌理处理，艺术家甚至将画面制造成古代壁画的斑驳效果。

The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.

散漫在高波作品中的人与物没有根源，也许它们是源于个人瞬间的兴趣和记忆，有关知识的、情感的和在脑子里存储的图象信息随之而来，也可以随之而去，只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念，它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述，它们的结果最终都是通向虚无的边缘，尽管那些形象似乎可以唤起我们丰富的联想，比如《灰色的脸》，它绝不是西游记中二郎神的天犬，在《河床》中不牢靠的拱桥，肯定不是寓指天堂里的彩虹，《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗，而是被人为所驱使的赛狗。

Instead of a "moment" of change, China needs structural and long-term reforms: placing the Communist Party under the rule of law, unshackling the media and Internet, allowing religious adherents to freely practice their faiths, ceasing harassment of civil-society groups that work on AIDS and the environment, and addressing modest calls for accountability in the political system.

而不是&瞬间&的改变，中国社会需要结构性的和长期的改良：将中国****的地位置于法律之下，恢复媒体和互联网自由，允许信教徒能够自由地践行他们的宗教信仰，停止对防治艾滋病和环境保护社会团体的管制，建立一种更加谦和的政治体制。

Instead of a "moment" of change, China needs structural and long-term reforms: placing the Communist Party under the rule of law, unshackling the media and Internet, allowing religious adherents to freely practice their faiths, ceasing harassment of civil-society groups that work on AIDS and the environment, and addressing modest calls for accountability in the political system.

而不是&瞬间&的改变，中国社会需要结构性的和长期的改良：将中国共产党的地位置于法律之下，恢复媒体和互联网自由，允许信教徒能够自由地践行他们的宗教信仰，停止对防治艾滋病和环境保护社会团体的管制，建立一种更加谦和的政治体制。

In an instantaneous spatiotemporal shift we have been hit by drastic and rapid social change – collectivist material desires and aspirations, the collapse of traditional roots, the universal spiritual loss of contemporary man, and the jumbling of the global market, post-socialist politics and economic transformation have brought massive shock and transformation to each and every Chinese person, presenting the arresting spectacle of festering ruins alongside flourishing construction sites.

在瞬间的时空更替中我们遭遇了剧烈而迅速的社会变革：集体主义的物质化欲望诉求，传统文脉的崩溃，当代人精神的普遍失落，以及全球化市场和后社会主义政治和经济转型期的混合，给每个中国人带来巨大的震荡和变化，呈现了荒芜的废墟和繁荣的工地交织的壮丽景象。

Accordingly, a person could be convicted of unlawful wounding and assault occasioning actual bodily harm, contrary to sections 20 and 47 of the 1861 Act, for committing sado-masochistic acts which inflicted injuries which were neither transient nor trifling, notwithstanding that the acts were committed in private, the person on whom the injuries were inflicted consented to the acts and no permanent injury was sustained by the victim.

相应的，根据某人对他人造成的实际人身伤害，此人可以因其对他人造成的既非瞬间的也非为不足道的伤害而被指控为对他人进行了人身侵犯和非法侵害，即便这一行为是私下里进行的，或是受害人对给他自己造成的伤害没有任何异议，或是没有给受害者造成永久性伤害。

Took the shoes with the embroider flower on the way usted llevaba un par de zapatos bordados de flores en el camino.我认得出亲手绣出的一针一线 I knew that made by my hands Personalmente, reconoc í los bordados que hice con mis manos a Yizhenyixian

风轻送你的消息我看见你的气息四处弥漫成雾的一片茫茫然瞬间飘去很远我知道你是那天我偶尔从窗外从翻腾的山岭间看到的一个影我忘不掉的也许是你的执着亭亭华盖遮去艳阳的热情脉脉的风中诉说一切关于自由寂寞和爱的故事。。。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。