睡衣

No one will know if you even play in your pajamas!

没有人会知道如果你甚至可以在您的睡衣！

I don't know why I didn't get blood on my pajamas.

我也不知道为什么我的睡衣上一点血迹都没有

You can still do it all in your pajamas.

你仍然可以做一切你睡衣。

You know you really need to get just a pair of pajamas.

要知道，你应该穿一件睡衣才对。

If you want to wear pajamas to dinner you just do it!

如果你想穿着睡衣出去吃饭你尽快可以这样做。

I realized that it was my father in his green pajamas.

我才知道原来是我父亲穿着他的绿睡衣。

Do they have a set of real pajamas at home?

他们有真正的在家穿的睡衣吗？

Do I have to clean my pajamas, mom ?

我一定要洗睡衣吗，妈妈？

I must buy another pair of pajamas.

我必须再买一套睡衣。

I like it a brand of pajamas!

我特别喜欢一个牌子的睡衣呢！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。