眼神

His eyes had a wild, eager light in them as if some primeval impluse were burning within his brain and driving out every other desire but that of asserting his manhood and of subjugating the earth.

他两眼放光，眼神炽热焦灼，仿佛脑子里有一股原始冲动在燃烧，把其它欲望都赶跑了，一心只想证明自己的男人本色，以及征服这片土地。

Keeping the same lustful look, she unhooking her small mace. Open the door.

把门打开。&她却卸下她的小锤子，继续用欲望的眼神看着马库斯。&

He uttered with his soft voice and his eyes were filled with deep sorrow.

他用他的轻柔的声音说，他的眼神中充满了深深的痛苦。

They are wafted with the odor of his body or breath, they fly out ofthe glance of his eyes.

它们同着他的身体的气味或呼吸一同飘出，它们从他的眼神中飞出。

He was in physical agony at that moment; he felt a weight on his chest so that he could not breathe.

她说道。皮埃尔想说句什么话，他用她无法理解的奇异的眼神望望她，又躺下来。

They were close-shaven, clear-eyed, and wearing clean uniforms.

他们脸刮得光光，眼神纯洁，盔明甲亮。

We have a premonition of little creatures stirring in the stone walls, and we pretend not to see Winter just peeping round the hedge with a gray cloud in his hair and frosty malice in his eye.

我们感觉到了微小的生物在墙缝里蠕动，而冬天，我们视而不见冬天倚在栅栏上的窥视，它乌云绕于鬓发，狰狞的寒光聚于眼神。

We have a premonition of little creatures stirring in the stone walls, and we pretend not to see Winter just peeping round the hedge with a gray cloud in his hair and frosty malice in his eye. We give all our attention to the brave little crocuses pushing out from under his icy feet.

微小的生命正在石墙的缝隙中翕动，我们能够预感到它们的存在；严冬之神仍然不肯离去，它的鬓发上浮动着灰暗的云朵，透过树篱投来霜雪般怨毒的眼神，我们对这一切却已视而不见；纤弱勇敢的番红花从它冰冷的足底破土而出，吸引了我们全部的注意力。

Vampirelike glamour figures strike come-hither poses in a flurry of recent fashion publications.

时尚刊物最近一窝蜂地登载打扮得活像吸血鬼，摆出各种「勾引」眼神架势的模特儿。

A person who is lying to you will avoid making eye contact.

骗你的人通常会避免和你眼神接触。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。