眼神

He's a round man, round face, round body, a little on the short side, going bald. But his well-cut suit, his two-tone shirt, his solid gold cufflinks, his heavy, premium wristwatch, his don'twaste- my-time stare, all say: I've been the boss for 17 years.

他浑身上下圆成一团――圆圆的脸蛋，圆圆的身躯，虽然个子有点矮，而且开始谢顶，但合体的西装、精致的双色衬衫、着实的金袖扣、沉甸甸的名表，以及那"有话快说，别浪费时间"的眼神，都好像在说"老子已经做了十七年老大了，你想怎么着？"

People who maintain eye contact while speaking whether from a podium or from across the table, are"regarded not only as exceptionally well-disposed by their target but also as much more believable and earnest."

那些不管是在讲台或者通过平台保持眼神交流的人，听众会认为他们是格外性情好的人，还是更具可信性也是最真诚的。

Because so much depends on the layering and the quality of the wetness in the eyes...

有太多内容都取决于眼神里包含的层次和质量了

He stared at me wide-eyed, in shock.

抬头用不可思议的眼神看我，完全震撼住了。

I never see a man look so wild in the eyes.

眼神如此狂乱的人，我可从来没有见过。

According to one newspaper, they saw him as "a wild-eyed man with wheels in his head."

根据一家报纸报导，他们认为法利士是个「眼神疯狂，满脑子都是轮子的人。

The sight of his sharply focused and unchanging eyes unnerved me, and I was quiet inside and full of love for those nearest me-my human children, my dark-haired little Benji and my tender willowy Sybelle- but I was not strong enough just yet to take them away.

他那锋锐的注视与凝滞不变的眼神使我心力交瘁，尽管我内心深处安祥而平静，并且充满着对那些离我很近的——我那有着一头黑发的小本基，我那有着温柔曼妙身姿的瑟贝勒——我的人类孩子们的爱，但是目前我没有足够的力量能够带他们一块离开。

If you were a wink, I'd be a nod

如果你是一个眼神，那我便是一个点头

The wistful look in his eyes suggests that he really means it.

他眼神中流露出的渴望暗示他的的确确真的是那么想的。

She has really blonde hair with super black eyebrows and a really wistful look about her.

她有一头金发，非常黑的眉和一种很憧憬的眼神。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。