眼神

For me, eye contact, seeing the person, is very much, you know, a lot more empowering.

对我来说，眼神交会目光接触，实际地看到说话人，是被完全赋权的。

Such self-mockery and ambiguity appears as a virtual attitude in his works. The colors are dim and the expressions, in particular their eyes, are moving and hesitant. But all the faces and bodies express a sexy message, which makes the figures confident, despite their expressions.

这种自嘲式的暧昧态度，在他的作品中就表现为一种貌似虚无虚构和虚拟的语气，画面的颜色犹豫朦胧，人物表情、特别是眼神飘忽散乱不够坚定，但所有的面孔和身体都流露出性感的信息，是这种信息而非表情，使画中人物充满自信。

The famous Chinese apathetic gaze is only a self-protective gaze, acquired by a lot of culture and self-discipline.

中国人臭名昭著的漠视眼神只是出于自我保护的需要，这很大程度上要归咎于中国的文化和中国人的自我约束。

Of course the dressing style would have to match, its unreasonable to be dressed sexily yet with a face of cute, this would give others a weird feeling, so you could also do something to the dressing style to help adjust the mentality.

可爱不能性感，至於半熟少女的表情，杨丞琳说："笑容可以仍然甜美，但眼神就不要那麼柔、要多一份坚强，嘴角带笑，则不失亲切，但予人少女开始成长的感觉；当然服装方面也要配合，没理由穿得性感却一脸可爱，这会给人很怪的感觉，所以也可在衣著方面入手，帮助调整心态。"

You can see it in the drawn faces of the men, in their shabby clothes, in their eyes.

你从人们苍白的脸色、不洁的服饰以及他们的眼神中就能看出来。

Half-naked fairy lady in Chinese folktales rides on pink clouds, holding lily flowers, hidden behind her veiling, shadiness in her eyes are as confrontational as modern women.

绚丽的粉红色彩云之上出嫁的七仙女半裸酮体、手持象征少女纯洁的百合，面纱后的眼神却是现代女人才有的大胆与暧昧。

What's with the shifty eyes?

你那躲闪的眼神是怎么回事？

Malfoy, gaze blank as Harry fists his hands in his shirtfront and slams him against the ground, his pale features blurry through the tears that threaten to spill over...

Malfoy，看着Harry握紧的拳头落在他的胸口，然后揪住他往地上撞时那种不知所措的眼神，他苍白的身影在Harry滚落的眼泪之中变得模糊了起来。。

Comes the inevitable moment when glances meet, but they meet only to shoot instantly away and out the window for an intent view of the passing scene.'

随之而来的不可避免的时候，眼神满足，但他们只能满足拍即刻离开，并出窗口的意图鉴于及格现场'。

I kind of liked it your way, how you shyly placed your eyes on me.

我有些喜欢你的方式，你羞涩的看我的眼神

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。