眼神

A new century is coming nearer and nearer, Leslie still stand on the top of the hill like an ever-green pinetree. Time didn't leave any trace on his face, while his inner eye expressions and his impeccable perforance prove silently of the charming increase as years go by.

眼看着这个世纪就过去了，哥哥仍然如青松傲立于山峰，岁月没有在他的脸上留下任何痕迹，只有那内敛的眼神和日臻完美的演技无声地印证着风雨洗礼后的他韵味更加醇厚动人。

A new century is coming nearer and nearer, Leslie still stand on the top of the hill like an ever-green pinetree. Time didn't leave any trace on his face, while his inner eye expression_rs and his impeccable perforance prove silently of the charming increase as years go by.

眼看着这个世纪就过去了，哥哥仍然如青松傲立于山峰，岁月没有在他的脸上留下任何痕迹，只有那内敛的眼神和日臻完美的演技无声地印证着风雨洗礼后的他韵味更加醇厚动人。

My dog ran up to me whining, questioning me with his piteous eyes which seemed to say,"I do not understand!"

我的狗呜咽着跑到我的眼前，他那引人哀怜的眼神在向我发问，似乎在说："我不明白！"

Please do not use as blurred eyes of looked at me piteously.

请你不要用那样迷离的眼神可怜巴巴的看着我。

Although being able to speak, he has chosen to stay silent because of the pitying looks of the people around him.

虽然有说话的能力，但他选择了保持沉默，因为他不愿看到周围人们怜悯的眼神。

She glanced plaintively about the station.

她用失望的眼神环视了一下车站。

But the eyes of your pockmarked mistress are a wonderful reality which makes nonsense of all possible probabilities.

然而，恰恰"情感"正是我们所需要的；美只能向我们提供一个好的各种概率，还有她在冷静时的概率；而你那有小麻点的情人的眼神，则是一个消灭一切可能的概率的魅人现实。

A look of surprise and irritation passed between them, and then they pointedly ignored each other.

他们之间交换了一下惊奇和气恼的眼神，然后明显流露出无视对方的神色。

There on the floor, engrossed in a sub-Fosse pompon routine , he sees his angel: Angela Mena Suvari

啦啦队员们挥舞着丝球，上演着激情，此时，就在莱斯特全神贯注的眼神背后，他的天使降临了。

I know your eyes in the morning sun,I feel you touch me in the pouring rain

在朝阳中我懂你的眼神。在大雨中我感受到你的轻触

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。