眼神

That was my first swim in the creek and I had a leech on my back...ha...ha...ha...

昨天她没有故作不经意而是很直接的一种眼神。。。

Wrath, argument, or praise, or comic leer, or prayer devout

愤怒，争论，或赞美；或虔诚的祷告，或滑稽嘲弄的眼神

However, she was not the same as the others, she was not left foot, piece of dark blue pants sport a length below the left is empty, like a cry for something ...... my eyes revealed a hint of pity to.

可是，她却跟其他人不一样，她没有左脚，那条深蓝的运动裤左边的下面一截也是空荡荡的，像是哭诉着什么……我的眼神里透露出了一丝惋惜之情。

Now stand you on the top of happy hours, And many maiden gardens, yet unset, With virtuous wish would bear your living flowers, Much liker than your painted counterfeit: So should the lines of life that life repair Which this time's pencil or my pupil pen, Neither in inward worth nor outward fair Can make you live yourself in eyes of men.

这一刻，让我不能停止对你勇敢的进攻就如一个血腥暴君战争的猛烈直到你渐渐的平息那些快乐胜过了我贫瘠的诗韵现在你站在幸福时光的顶峰就如少女般笑楹的曾经你活了花开的圣洁酷似争艳的爱的灵魂那生命轮线的修饰我用了铅笔着墨外在的喜悦无法掩饰内心的兴奋你在我眼神里活回自己永远活力青春弥漫甜蜜芳醇

So,the expression of their eyes are very pure and limpid.

所以，面对镜头，他们的眼神是那样的纯净、清澈。

In the limpid look filled has filled you to our limpid love.

清澈的眼神里灌满了你对我们清澈的爱。

I like them happy broad and the bright forehead, as well as lively limpid look.

我喜欢她们美好宽阔而又明净的额头，以及活泼清澈的眼神。

We look at each other from long distance.in the familiar dream your eyes are too limpidity to hurt my heart.

远远的对望，熟悉的梦境中的你的眼神清冽得让我心疼。

Another approach is to look longingly or hurt when he pulls away.

另一个方式是当他抽离时，有意或无意地去伤害他或以渴望的眼神望着他。

Oh, I can tell you one thing about that look.

我可以告诉你，主看他的这个眼神

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。