眼神

Sorrow of Conan are understood, a look or a smile can be found on the ideas of the Klan.

哀对柯南是了解的，一个眼神或一个笑容就可以找到柯南的想法了。

Korin's eyes were distant, as was her harsh voice when she spoke, as if she were not entirely present.

柯琳的眼神冷漠，如同她发出的粗砾的声音。

With dilated form and lambent eyes watch'd you.

以扩张的形体和温柔的眼神把你们守望。

You cannot get climax..that is your problem lar.......

我看你的眼神和听你那种控制不了，从喉咙传出来的求救声

On other times you can trigger it with an simple smile, a lascivious look, a seemingly coincidental touch.

在其他时候，你可以触发一个简单的微笑，一个淫荡的眼神，一个看似巧合触摸它。

He always stares lasciviously at beautiful girls passing by.

他总是用色眯眯的眼神看身边走过的漂亮女孩。

He always stares lasciviously at beautiful girls passing by in the Bar.

汤姆：在酒吧他总是用色迷迷的眼神看身边走过的漂亮女孩。

A lashing with nettles formerly used to treat a paralyzed part of the body.

没有诚意的看；使用狡猾的下流的恶毒的眼神看。

I seem to spend most of my time untagging myself in pictures so my third grade boyfriend doesn't see me looking like I have four chins and a lazy eye.

每当我看影集的时候都感到很失落，我看上去总是在走神，所以我的第三任男友不屑地说我有双层下巴和慵懒的眼神。

Relatively, the"Works No 29" is the more distinctive works in "The Skinny Beautiful Woman Series",the beautiful woman's body displays the semantic fuzziness –it is seem that with the hand tightly pasting on the chest she is making the final defense,it is also seem that she is masturbating; the callous eyesight and slightiy- opening mouth show not only that she is repelling,but also that she is seducing somebody-- all these has provided the lust revelry to the lecher.

相对而言，《作品29 》是《骨感美人系列》中比较独特的作品，美人的肢体语言表现出语义的模糊性——紧贴在胸前的手像是在作最后的防御，又像是情欲难耐时的自我抚慰；紧耸的肩部与用力倾侧的身体像尽力的躲闪，又像是欲火焚身时不自觉的痉挛；冷峻的眼神和微启的口唇像是拒斥，又像是强烈的召唤——所有这一切，对于热切的窥淫目光来说无疑提供了色欲的狂欢。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。