眼神

Anita Mui smiles cheerfully. Her eyes are full of feminineness of a mature lady. In past days, I created a hot image, because I was young. When you are young, everything can be exaggerated.

"其实我现在还是在变啊，不过是小变，不是大变，"梅艳芳笑笑，眼神中掠过的一丝妩媚仿佛让人呼吸到她浑身散发的成熟的女人香，以前形象火爆，那是因为比较年轻嘛，年轻当然可以做得比较夸张一点。

I love the person, she has a fiance from her eyes, to prove that I can not.

我爱的人她已有了爱人从她的眼神中，说明了我不可能。

Poring at the people in the pictures, we find that their eyes are ceaselessly down, helpless, cold and lacking a happy fieriness; many of them, especially those from 13 Months in the Year of the Dog , are left with droopy eyelids.

当仔细凝视这些"新闻人物"的眼神时我们发现，无一例外地，它们低落、无助、冷漠、没有光彩，甚至其中很多，我们只看得见下垂的眼睑，在《狗年十三个月》系列作品中它们尤为模糊。

You're also a fighter. l can see it in your eyes.

你也是个斗士我可以从你的眼神里看出来

Would she cast him from her life altogether? Or would she turn her cold, fishlike gaze to him, smile her mocking, sardonic smile, and rend his heart with her razor-sharp tongue?

她是否愿意让他一辈子陪伴著，或者她会幡然冷漠，用著冷淡的眼神凝视著他，露出嘲弄、讽刺的笑，用她尖酸刻薄的言词，将他的心狠狠撕裂？

I am, however,looking right into his shocked eyes as I flash him a sweet smile and mouthed the words;"you suck" and dig a little deeper for one last push and blow past him.

当我给他飞去一个微笑，我看到了他震惊的眼神，并且还给了他一句"去你的吧！"，一使劲，我超了过去。

His eyes, flinty and hard, are riveted to the bungalow up the path.

眼神又直又僵，死盯着小径前方的那间小屋。

He appraises the newcomers with flinty eyes.

他看起来冷若冰霜，用冷酷的眼神打量着新犯。

He was angry when not speaking, not much expression, but he really makes flounder Man's eyes.

他生气的时候不说话，没有太多的表情，可是他看人的眼神确让人发慌。

You give me a look, I am not oneself for you!

你给我一个眼神，我为你神魂颠倒！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。