眼泪

Sure, I am a crybaby, especially like to cry,it seems my tear is flat than other and it can flow out easy.

当然，我就是个爱哭鬼！特别喜欢哭，好像我的眼泪比别人的要浅，泪水比较容易掉出来！

When you're crying, I'll be the tears for you

当你哭泣时，我会做你的眼泪

Letting what manning canning not stand most is the cuckoldry is loquacious, the lover's tears, the misunderstanding of beauty bosom friend.

最让男人受不了的是妻子的唠叨，情人的眼泪，红颜知己的误解。

The cuckoldry is in disorder loquacious to make the man's discomposure add up, the lover's tears lets man already the hard heart become soft, the misunderstanding of beauty bosom friend makes the man's heart pushing forward the clough from the overhanging cliff.

妻子的唠叨使男人的心乱上加乱，情人的眼泪让男人已硬的心变得酥软，红颜知己的误解把男人的心由悬崖推进深谷。

Mrs Curran burst into tears as she recalled that her daughter was prone to running away.

陈个正着闯入眼泪，因为她回顾说，她的女儿是容易流失

I accompany you cry, who tears in exchange for happy and bless to each other, the perfect curtain call.

我陪你哭，谁能用眼泪换来幸福，给彼此祝福，完美的谢幕。

"I won't go," cried Melanie, dabbing angrily at her eyes with her handkerchief.

"我不干，"媚兰嚷道，一面气得用手绢抹眼泪。

Then we are on the stage and Dee is embracing me with tears in her eyes.

那么我们在舞台上拥抱和迪伊是在她的眼泪我。

DEFAMATION 责备 Why are those tears in your eyes, my child?

为什么你眼里有了眼泪，我的孩子？

When you feel deeply hurt, and tears are about to drop down , then please take a glance at the sky that used to belong to you. When the sky is still expansive, clouds are still degage, then there is no reason to cry , for the world that you alway have is not taken away by anyone's leave.

当你的心真的在痛，眼泪快要流下来的时候，那就赶快抬头看看，这片曾经属于你的天空；当天依旧是那么的广阔，云依旧那么的潇洒，那就不应该哭，因为他人的离去，并没有带走你的世界。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。