眼泪

He put on a show of crocodile tears for the death of his wife, and got married soon again.

他假惺惺地为妻子的死掉了几滴眼泪，然后，很快又结婚了。

He just dropped some crocodile tears for his wife ,then got married as soon as possible.

他假惺惺地为妻子的死掉了几滴眼泪，然后，很快又结婚了。

He had crocodile tears to his died wife,but then he get married soon.

他假惺惺地为妻子的死掉了几滴眼泪，然后，很快又结婚了。

But there was the crocus. Tears filled my eyes as I realized its significance.

可是，它是番红花呀，当我意识到它内蕴的时候眼泪已充满我的眼眶了。

Paces back and forth in the love with painful edge I, the pursue dream cannot obtain also cannot lay down actually, gains ground forecast sky when, saw to is dark night crowdedness actually, but the meteor, is the tear which I is unable to get over an emotion......

徘徊在爱与痛苦的边缘的我，追求的梦想得不到却也放不下，抬头展望天空的时，看到的却是黑夜的密集，而流星，就是我无法释怀的眼泪……

I was touched deeply, not only because of abundant pictures and incisive words, but also the same feelings towards the life and past as you. I was crying out when you said that "I will eat twisted cruller more than enough if I have much money." Without personal experience at that time, people will never have that kind of feeling. Your photos and words make me have all sorts of feelings.

流着眼泪一口气看完阿纲的片子，打动我的不只是这丰富的图片和精辟的文字，还有着与楼主对生活对社会，对往事有着同样的感受，那句"有钱了要把油条吃个饱"令我泪流满面，不是从那个年代成长的人是没有那种感受的，楼主的图片和文字令我百感交集。

If you are a tear in my eye, I wouldn't cry for fear of losing you.

如果你是我眼中的一滴眼泪，我不会哭，因为我害怕失去你。

If you are a tear in my eye,I wouldn't cry for fear of losing you.

如果你是我眼里的一滴眼泪，我不会哭，因为我害怕失去你。

The water cock, do not cry, wipe off your tears.

水龙头，不要哭，把你眼泪来擦掉。

We can cry and get off speeding fines.

眼泪可以免除超速罚单。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。