相声

Experiences in forms of story telling, poetry reading, comic dialogue, allegretto, rap and other folk arts

各国青、少年朋友在一起用讲故事、诗歌朗诵、相声、快板、说唱等各国民间艺术的形式来有趣欢乐，畅快随意地交流各国文化和

Zhao: Cross talk is a traditional form of Chinese comedic dialogue , and is there any form of

赵：相声是中国一种传统的幽默对话形式，在加拿大或其他西方国家有没有像相声这样的幽默对话形式呢？

Humor is the life of cross talk. No cross can survive without humor.

幽默是相声的生命，没有幽默就没有相声。

The people of Chu who mourned the death of Qu threw rice into the river to feed his ghost every year on the fifth day of the fifth month.

"相声再也死不起了"的逻辑其实就是：相声界的一些重要人物影响、甚至决定着相声的现状及前景。

Adjacent to a hot pot restaurant in Simenkou Road of Wuchang District, without tall gate or gilded decoration, the ancient traditional arch only decorated with the words of 'Tian Le She' caved in and a couplet of comic dialogue hung on heelpost.

到了50年代，相声艺术的发展在全中国迎来了一个高潮，百家争鸣、百花齐放，大批的相声名家汇聚到武汉，在民众乐园进行演出，给武汉市民带来了极大的艺术享受。

The Chinese government has systematically stifled crosstalk by bowdlerizing its tradition, restricting its natural growth and evolution, and reducing the form to a sycophantic, unsatisfying — and unfunny — shadow of its former self.

通过删除传统段子限制其自由发展和改进缩小演出形式中国政府系统性的影响了相声的发展使其成为了一个阿谀奉承、不能令人满意、没有乐趣的东西它仅仅是以前相声的影子。

The programs include:New La Yang Pien, Chinese comic dialogue, Jingyun ensemble bass drum,Double two-man comic show;Taiwanese comic dialogue, comic dialogue play,,,This time, we will show you different performance type and new feeling.

听了那麼多无聊的政治口水，何妨来听听有趣、幽默的「说唱艺术」…，节目内容有：新拉洋片、相声、京韵重唱大鼓、双双簧、台语相声、相声剧…，这次我们将带给您不一样的表演型式与新鲜感。

Subsequently impressive language programs are: Dai Zhicheng Jiang Kun and the Double Cross "I am a bit dizzy," Ma, Tai Shan groups, such as comic performances,"said the new features," the two sides together comic actor performing group I crosstalk "round round"; Feng Gong's "warm winter", Zhao Benshan and host Bi Jian, apprentice small Shenyang's "not bad money," Andrew, the巩汉林"bean yellow", Sun Tao, such as performances of "auspicious Sambo", Guo Da, Cai Ming's "Beijing welcomes you" and other pieces.

其后让人印象深刻的语言类节目有：姜昆和戴志诚的双人相声《我有点晕》，马东、大山等表演的群口相声《五官新说》，两岸相声演员共同表演的群口相声《团团圆圆》；冯巩的《暖冬》、赵本山和主持人毕福剑、徒弟小沈阳的《不差钱》、黄宏、巩汉林的《黄豆黄》，孙涛等表演的《吉祥三宝》、郭达、蔡明的《北京欢迎你》等小品。

Many post 80s performers talk about news headlines, catchwords, and the kind of things young people regularly talk about in their cross-talk routines.

许多80后的相声演员在他们的相声段子中就新闻时事、流行词汇等年轻人日常谈论的内容进行评说。

The necessity of the innovation of cross talk art lies in, first, the must for the development of the times; second, the demand of modern audience; third, the relationship between cross talk art and media and technology; and fourth, the impact of other art tyes and performance forms on cross talk.

相声艺术创新的必要性首先源于时代发展的必须，其次是现代观众的需要，第三和相声艺术与传媒、技术的关系相关，四是其他艺术种类和表演形式对相声的冲击。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。