目空一切

It is curious to note that Spanish society is very machismo, where the male is domineer ing, and the bullfight is a very feminist art representation, appreciated mainly by the male population

奇妙的是，西班牙是个男性占优越地位、目空一切的社会，而斗牛则是一种主要由男性欣赏、十分女性化的艺术表现。

I know that most men in the hour of success and prosperity become exalted in spirit and feel excessive pride and haughtiness.

我知道大多数的人在获得成功与威望的时候会变的得意洋洋傲慢无比，目空一切。

The intense vitality that had been so remarkable in the garage was converted into impressive hauteur.

早先在车行里那么显著的活力变成了目空一切的hauteur①。

I should take him, even on my slight acquaintance, to be an ill-tempered man.

他的有钱有势蒙蔽了天下人的耳目，他那目空一切、盛气凌人的气派又吓坏了天下人，弄得大家只有顺着他的心意去看待他。""

In truth, the ardor, the enthusiasm, and the imperiousness of my disposition, soon rendered me a marked character among my schoolmates, and by slow, but nat ural gradations, gave me an ascendancy over all not greatly older than myself;-- over all with a single exception.

说实话，我生来热情，幻想丰富，目空一切，不久就在同学中出了名；慢慢的，但是自然而然的，年纪比我大不了多少的都听我摆布了；所有同学都听我摆布了，唯有一个例外。

Indifference and insensibility. we call his behaviourmean-spiritedness, and are as really provoked by it as by theinsolence of his adversary.

我们将他的行为称作精神萎靡，他的卑微愚钝如同其对手的目空一切一样，着实令我们怒火中烧。

For the popular passions, incited and goaded on by these opinions, will break out more insolently; and, with great harm to the common weal, descend headlong by an easy and smooth road to revolts and to open sedition.

群众的情绪一旦受到这些思想的煽动，便会目空一切，轻率地走上反叛和公开暴动的道路，其结果便大大损害了公共利益。

Lydgate was one of the most conceited, unpleasant fellows.

利德盖特目空一切，讨厌极了。

We were ever among them. It is the genes of animals that later called by us as the original intelligence. It is also the skeletons and the muscles that offer the possibilities for our separated moves of hands and feet and for our achievement of straight walking. But do we have such right to maltreat animals?

我们曾经是它们中的一员，动物的基因是后来被我们称作智慧的最初起源，动物的骨架、肌肉，为我们手脚分工、直立行走提供了可能……而当人类成了这个世界上的强者，我们是不是就有权去目空一切地对待动物？

There are some details worth to mention. Any who watched some of Law's roles could feel his profession at "style". But on Hip Tin, his application of style reached such a high degree that exaggeration could be sensed, from which the minus effect created just satisfied the requirement of "abnormal". For example, when Hip Tin wrote time periods for stocks himself before asking Bok to write the prices from memory , a stylish move was seen: Turn around, writing vigorously by one hand with another hand quickly moving at his waist. Such a small move not only matched Hip Tin's confidence and pizazz as "God of the Wall Street",but also implied his madness by its exaggeration which had the big difference between a normal move.

这里有几个细节值得一提：但凡看过一些罗大侠作品的人都可体会到他对于"型"的擅长，而在叶天身上，他注入的"型"明显高到了夸张的地步，如此一来触发的反效果恰与"非正常"三字一拍即合，譬如他在要求展博默出股票全日造价并在黑板上写下该股各时段时一个很"型"的小动作：转身和叉腰，即符合叶天"神"的潇洒和自信，又因动作极其夸张而与正常人的反应相去甚远，继而成为其病征的隐含交代--这样充满分裂感的动作还有很多：盘膝坐在桌上居高临下对展博训话，叶天世界里的目空一切--现实中病态的表现；满怀激情送走得意门生后在废墟中享受的回眸，但之前又伴随了一个虚弱的踉跄脚步--心力和体力分裂的表现。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。