盖拉

If you match up against Aldridge with a smaller player, he'll go down to the block.

如果小个球员和他对抗，他就拉到内线准备封盖。

He had gone out with a Robert Estienne, which he had sold for thirty-five sous under the Quai Malaquais, and he returned with an Aldus which he had bought for forty sous in the Rue des Gres.--

他带着一本罗贝尔·埃斯蒂安①印的书去马拉盖河沿，卖了三十五个苏，却又在格雷街花四十个苏买了一本阿尔德②回家。

It must have been a great time then for the craft! Almost all of America's best guitar making talent were working within a few blocks of each other: Gene Clark, Velázquez, Rubio, D'Angelico, Gurian.

那时一定是作琴艺术的伟大时代，几乎所有美国最优秀的吉他制作天才都集中在那几条街上作琴，像：金·克拉克，维拉兹盖兹，卢比欧，达安洁利可( D'Angelico)，古瑞安。

Mike Fraser pulled his diving mask down over his face and let the icy waters of the Antarctic Ocean close over his wetsuit.

迈克·弗雷泽把潜水面具拉下来盖住了脸，让南极洲冰冷的海水淹没了他的紧身潜水衣。

He was fortunate to present bread and salt to His Imperial Majesty, the Sovereign Emperor Nicholas II, Zlatoust; 1910 Sergei Mikhailovich Prokudin-Gorskii Collection.

他很幸运的是目前的面包和盐，以他的皇帝陛下，主权皇帝尼古拉二世，兹拉托乌斯特； 1910谢尔盖米哈伊洛维奇普罗库金，Gorskii集。

Louis Couperin (c.1626-1661) was the first composer to embrace the genre, and harpsichord preludes were used until the first half of the 18th century by numerous composers including Jean-Henri d'Anglebert (1629-1691), lisabeth Jacquet de la Guerre (1665-1729), Franois Couperin (1668-1733) and Jean-Philippe Rameau (1683-1764), whose very first printed piece (1706) was in this form.

库普兰(Louis Couperin， 1626-1661)是第一个接受和推动此曲式的作曲家，而古键琴的前奏曲一直被普遍使用至18世纪前半时期，主要作曲家包括当格勒贝尔( Jean-Henri d'Anglebert， 1629-1691)，贾盖(lisabeth-Claude Jacquet de la Guerre， 1665-1729)，大库普兰( Franois Couperin， 1668-1733)和让-菲腊·拉莫( Jean-Philippe Rameau， 1683-1764)，而拉莫的第一首发表作已经是这种曲式。

Or Enya, Ella Fitzgerald, Marvin Gaye, or Hawaiian guitar.

或恩雅、艾拉·费兹杰拉，马文盖伊或夏威夷吉它。

A look at the Spanish region of Andalucia it's three costas and it's eight provinces - Almeria, Cadiz, Cordoba, Granada, Huelva, Jean, Malaga and Seville.

看看西班牙地区就Andalucia它的三个木香和它的8个省份阿尔梅里亚，卡迪兹，科尔多瓦，格拉纳达，huelva，盖，马拉加和塞维利亚。

Richard MacKinnon, Canada Research Chair in Intangible Culture and Director, Centre for Cape Breton Studies "Digitizing Canada's Gaelic Intangible Cultural Heritage", Kirstin Evenden, Vice President, Access, Collections, Exhibits, Glenbow Museum, and Terrance Houle, Artist "Digital Heritage and First Nations Cultures at Glenbow", Dr. Laurier Turgeon, Director, Institut du patrimoine culturel, Université Laval "Inventory of ethnological heritage resources", Brian Porter, Senior Director, New Media Resources, Royal Ontario Museum Royal Ontario Museum, with Yongjian Zhai, Director, Software Engineering, Arius 3D,"3D Digitization Solutions: Arius 3D and the Royal Ontario Museum". Dr. John McAvity, Executive Director, Canadian Museums Association, and Mr. Dale Jarvis, Intangible Cultural Heritage Development Officer Heritage Foundation of Newfoundland and Labrador also introduced their programs. Chinese scholars exchanged research findings with Canadian Professors in the field of intangible cultural heritage in China. The Chinese presentations including Dr.

在会上就加拿大范例发言的加拿大代表有：加拿大国家文明博物馆馆长Victor Rabinovithch：&加拿大博物馆与非物质文化保护&，不列颠哥伦比亚大学人类学博物馆馆长Antony Shelton博士：&互联网与非物质文化&，加拿大非物质文化保护国家专项主任Richard Mackinnon博士：&加拿大盖尔人非物质文化遗产的数码化保护&，卡尔加里市格伦鲍博物馆Kirstin Evenden女士和黑脚原住民部落Terence Houle先生：&格伦鲍博物馆原住民文化及数字化遗产项目&，拉瓦尔大学文化遗产学院院长Laurier Turgeon博士：&民俗文化遗产来源&，皇家安大略博物馆Brian John Porter和Arius 3D科技公司Yongjian Zhai：&政府项目与私企合作范例介绍&，加拿大博物馆协会执行主任John Gillis McCavity博士，纽芬兰和拉布拉多基金会发非物质文化发展官员Dale Gilbert Jarvis等。

Laurier Turgeon, Director, Institut du patrimoine culturel, Université Laval "Inventory of ethnological heritage resources", Brian Porter, Senior Director, New Media Resources, Royal Ontario Museum Royal Ontario Museum, with Yongjian Zhai, Director, Software Engineering, Arius 3D,"3D Digitization Solutions: Arius 3D and the Royal Ontario Museum". Dr. John McAvity, Executive Director, Canadian Museums Association, and Mr. Dale Jarvis, Intangible Cultural Heritage Development Officer Heritage Foundation of Newfoundland and Labrador also introduced their programs. Chinese scholars exchanged research findings with Canadian Professors in the field of intangible cultural heritage in China. The Chinese presentations including Dr. Fang Lili, Chinese National Academy of Arts "Documenting Intangible Culture in West China: A National Study Report", Dr.

国家文明博物馆馆长Victor Rabinovithch：&加拿大博物馆与非物质文化保护&，不列颠哥伦比亚大学人类学博物馆馆长Antony Shelton博士：&互联网与非物质文化&，加拿大非物质文化保护国家专项主任Richard Mackinnon博士：&加拿大盖尔人非物质文化遗产的数码化保护&，卡尔加里市格伦鲍博物馆Kirstin Evenden女士和黑脚原住民部落Terence Houle先生：&格伦鲍博物馆原住民文化及数字化遗产项目&，拉瓦尔大学文化遗产学院院长Laurier Turgeon博士：&民俗文化遗产来源&，皇家安大略博物馆Brian John Porter和Arius 3D科技公司Yongjian Zhai：&政府项目与私企合作范例介绍&，加拿大博物馆协会执行主任John Gillis McCavity博士，纽芬兰和拉布拉多基金会发非物质文化发展官员Dale Gilbert Jarvis等。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。