盒子

However, the nine-box matrix applied only to product markets: those in which companies sell goods and services to customers.

然而，九盒子的矩阵只有适用於产品市场了：那些在卖货物和消费者方面的服务中。

One ad features two Asian children, armed with chopsticks, battling over the last Chicken McNugget in the carton.

在麦当劳的一则广告中，两名亚洲儿童手持筷子，为盒子里最后一块麦乐鸡展开争夺。

Medium shot:Repentance gloves are off, the knife back inside the box.

中景：忏悔者正在脱去手套，将手术刀放回盒子里面。

In contrast, the computer memory is like a cell of pigeonholes, with no thinking capacity and no connections elsewhere.

相比来说，电脑的记忆就像是文件夹中的一个盒子，没有思考的能力，也没有其他的联系。

A lookout spotted what appeared to be an innocent merchant ship.

他打开盒子，里面是一个早已死去的男人的颌骨。

More recent work has focused in prying open the "black box" and understanding what strategy execution actions can be taken to improve X-efciency; see Chapter 3 by Berger and Mester and Chapter 8 by Frei, Harker, and Hunter.

比较近的研究一直集中于费力打开"黑盒子"，并了解，要改善X效率可以采取什么战略执行措施；参见第3章Berger 和Mester及第8章Frei， Harker，和Hunter的文章。

Below An aerial view of a mews made up of ZED in a Box units.

下图：由ZED盒子单元组成的社区的鸟瞰图。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Image Existence" the 5th Shanghai Biennial 2004,"In the Deep of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Techniques of the Visible" the 5th Shanghai Biennial 2004,"In the Depth of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Micro-politics in Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

Alex: Yeah, last time we went down there, it was filled with mildewed boxes.

是啊，上次我们去看时，全是发霉的盒子。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。