皮鞭

There's a savor of lynx about the car-of laughter and lilt and light-and hint of old loves-and saddle and quirt.

这种车有着山猫一般的风格－－伴随着愉悦的笑声、轻柔的节奏和明媚的阳光，以及对那爱恋不舍的马鞍与皮鞭的心领神会、遐想翩翩。

A riding whip with a short handle and a lash of braided rawhide .

牛鞭末梢上有结的一条长的，辫状的牛皮鞭

A long ,plaited rawhide whip with a knotted end.

牛鞭末梢上有结的一条长的，辫状的牛皮鞭

A long, plait ed rawhide whip with a knotted end.

牛鞭末梢上有结的一条长的，辫状的牛皮鞭

This includes the Riding Crop, Mithril Spurs, Riding Glove Enchant, Carrot on a Stick, Skybreaker Whip and all similar effects.

包括马鞭，棍子上的胡萝卜，破天者的皮鞭以及其他同类物品。

I was the real sadist. He might be the one with a whip but I was the one who tied myself up, tying myself to a man who is terrified of being tied down.

我是个自虐狂，他也许手持着皮鞭，但是我才是将自己捆绑起来的那个人，将自己捆在不愿被束缚的他身上。

A whip for a horse, and a snaffle for an ass, and a rod for the back of fools.

马需要皮鞭，驴需要辔头，愚昧人的脊背需要棍棒。

And the straw boss said "Well, a-bless my soul"

母大虫的皮鞭呀，从小抽到大

Weirdly, authenticity is very much on his mind when he makes one of these unabashedly preposterous movies, whose hero is a two-fisted, bullwhip-wielding academic archaeologist zipping around the globe in search of rare mystical artifacts and in the process running afoul of Nazis, creepy human-sacrifice cults and other exemplars of unambiguous, unadulterated evil.

离奇的是，他拍这些堂堂皇皇搞荒唐的电影时，很讲究真实性，主角是个孔武有力、挥舞皮鞭，绕著地球寻找稀世神秘文物的考古学家，过程中与纳粹党徒、令人毛骨悚然的活人祭，及其他毫不含糊、货真价实的邪恶化身斗法。

Then I will have you stand up with your hands on your head, I will unbuckle your belt, unbutton your trousers, take down the zip and let them fall to your ankles.

接下来我会让你站起来，双手放在你的头上，我会解开你的皮鞭和你裤子上的扣子，然后拉开你的拉链，让裤子褪到你的脚踝处。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。