皮革

Materials- rough wood, coloured wood,Perspex, transparent glass,stainlesssteel ,leather.

材料—粗糙的木头，有色的木头，有机玻璃，透明玻璃，不锈钢，皮革。

Pigpen:you sound like a victim of higher criticism!

皮革彭：你的调调就像高级批判学的受害者！

Pigskin leather linings conform to the contours of your feet over time.

猪皮皮革衬里符合的轮廓您英尺以上的时间。

Leather garments manufactured in China are usually made from pigskin.

皮革服装生产中，通常是由猪皮。

In the meantime, hunan is one of main source of our country live pig, pigskin crop occupies countrywide front row.

同时，湖南是我国生猪的主要产地之一，猪皮革产量居全国前列。

Pigskin or Pig Napa most resembles naked leather, in that it is a soft and supple hide, and can also be very thick.

猪皮或猪皮革赤裸适应最相似，它是一个软、曳藏身，也可以是很厚。

In those well-formed geometric structures, not only does the scripture express its mystery and the beauty of cutting, but it stands for the symbol of Buddhism. There are numerous works demonstrate this statement, such as "Ark of Dream,""Scriptures,""Pilgrimage of Buddhist Scriptures,""Spiral Scriptures,""Floating,""Pipal,""Big Spiral Scriptures,""Golden Mandala." Besides from placing scripture and leather into fine spatial arrangement, Huang Gang fills the golden background with dark brown dripping technique or paints a large red star. The red star series, which is combined and abstracted from China's interpretation for red, has a particular meaning.

在有规律的几何形式构成画面之中，除了倾心展现经版的刀笔之美、经文的神秘意味，经版始终是菩提灵性的表征符号，而不仅仅是一种简洁的对象，例如《梦之舟》、《佛经》、《朝经之路》、《转经》、《行云流水》、《菩提树》、《大转经》、《金色的曼陀罗》等，进一步地，在空间表现上，在经版或皮革构成的实体空间之外，其非实体空间恰当地运用了书写性和涂绘性的表现主义语言风格，在经版的金黄色域背景上涂绘、滴沥黑褐色，有的则间以大漆涂刷那些红星。

We are the only manufacturer of Piperonal through rauvite natrium oxidizing production low, and its annual output is 120 tons. We are also the only manufacturer of Raspberry ketone through phenol production line, and its annual output is 200 tons. The curatorial intermediate, F101 Composite resin rubber sulfidizer, and high molecular materials are new and high-tech products first developed in China with the quality reaching international level. The leather chemical product-basic chromium sulphate has won the Scientific and Technological Reward of Suzhou City, and has been taken as reference for The Ministry of Science and Technology of The PRC formulating standard.

年销售8000万元，其中香料产品洋茉莉醛用红矾钠氧化法生产线，目前国内独此一家，年产量达120吨；覆盆子酮用苯酚路线生产的产量达200吨国内独此一家；医药中间体，橡胶类F101复合树脂硫化剂，高分子材料类属高新技术产品，国内首创，质量达到国际水平；皮革化工"碱式硫酸铬"等获得苏州市科技成果奖，并参与国家技术部制定标准。

I don't want piss on the leather.

我可不想把皮革弄脏

Then, while a seedy-looking nondescript man carrying a leather bag stood on the steps of St. Paul's Cathedral, and hesitated, for within was what balm, how great a welcome, how many tombs with banners waving over them, tokens of victories not over armies, but over, he thought, that plaguy spirit of truth seeking which leaves me at present without a situation, and more than that, the cathedral offers company, he thought, invites you to membership of a society; great men belong to it; martyrs have died for it; why not enter in, he thought, put this leather bag stuffed with pamphlets before an altar, a cross, the symbol of something which has soared beyond seeking and questing and knocking of words together and has become all spirit, disembodied, ghostly—why not enter in?

那时，一个穿地异常褴褛的男子拎着一个皮革的包站在圣保罗大教堂的阶梯上，踌躇不决的，在那里面充满着安慰，一个多么热烈的欢迎，多少写着墓志铭的坟墓在向他们招手呼唤，胜利的标志并不是献给军队的，而是献给，他认为，那讨厌的寻求真理的精神，而这种精神此刻没有理由的离开了我，还有比这更多的，教堂还能提供伙伴，他想，将邀请你成为社会的一员，伟大的人被葬在了这里，殉教者为它而牺牲，为什么不进去呢，他想着，站在圣坛前将皮包塞满传教的小册子，还有一个十字架，这是一种象征，高高在上的，探索着，寻求着，将不同的词组在一起，形成了一种涵盖一切的精神，无实质的，像鬼魂一样的——为什么不进去呢？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。