白日梦的

Their waiting in drunken illusions is the means of survival for modern man designated by O'Neill who is deeply influenced by the Nietzschen philosophy and impending World War II. Waiting for Godot exposes the absurd existence of modern man as well as Beckett's uncertainty of the world and concerns about human prospects under the impact of World War II and absurdist theories based on existentialism.

然而，不同的社会、文化背景又使得三剧的"等待"主题具有各自不同的特征：工会成员对老左的等待具有现实性，表现了他们对一位无产阶级领导人的忠贞；房客对希基的等待既具有现实性，又具有荒诞性，在酒精和白日梦中的等待是奥尼尔为处于现代社会绝境中的人们指出的生存之路；流浪汉的等待反映出现代人存在的荒诞性，以及贝克特对世界的怀疑和对人类前景的忧虑。

O confident city where the seeds of poppies pass for carfare, where the ordinary hornets in a human's heart may slumber and snore, where bifocals bulge in an orange garage of daydreams, we wait in our loose attics for a new season as if for an ice-cream truck.

噢，自信的城市，那里罂粟的种子经过时要交电车费，那里，呆在人类心中的普通黄蜂会睡着并打鼾，那里双光眼凸出在一个橙色车库的白日梦里，我们在一个摇晃的阁楼里等待新的季节好像等着一个装冰淇淋的敞棚货车。

While giving a careful study to the texts, this paper dig deep into the cultural connotation of the skit of marital conversion in the two dynasties, holding the belief that the fundamental cultural connotation of it was to maintain the holiness of legitimate marriage, while the model of husband"s conversion reflected common people"s dream of nabobism. The Story of the Lute, the finial work of the skit of this type, embodied Gao Mings ethic reconsideration of the marital conversion phenomenon, and displayed his obscure bewilderment over the value system of Confucianism.

本文挖掘宋元婚变戏文的文化内涵：认为其最基本的文化内涵是维护合法婚姻的神圣性；而作为婚变戏文主体的丈夫变易型婚变则寄托了市民对荣华富贵的白日梦；《琵琶记》是宋元婚变戏文的巅峰之作，体现了高明对婚变现象的伦理反思，表达作者对儒家伦理价值系统的朦胧困惑。

Wynners Yes I saw you at the station Long distance smiles You were leaving for the weekend Catching the four fifty-five With your new friend for the season Another sad-eyed clown Helping to the seeing that your fantasies go down And I have to wonder to myself Why you have to go so far Drifting with life's daydreams Trying to play the star I still remember when you said "Baby, now let's get away" And I followed you like a schoolboy I guess that's part of the game Now you call me say you're sorry Give me long distance love You say you'd like to see me Maybe just for a while And you'd meet me at the station There on platform nine And we'd leave for the weekend Riding the four fifty-five But I've played this scene too many times To ever feel the part again I don't really want to fake it I already know the end So bye bye, Cin-Cinderella Everything just has to change And the midnight blues are calling I guess that's part of the game

四点五十五分温拿五虎合唱团在车站看见你远远的带著笑容你正准备要度周末搭乘4：55的班车带著你这一季的新朋友另一个眼神哀凄的小丑帮助我看清你那些沉沦的幻想我不禁感到怀疑你为何要远去带著人生的白日梦四处漂流想要当大明星我还记得你曾说过：&宝贝，让我们远走高飞吧！&而我竟像个小学生一样跟著你我想那是游戏的一部份如今，你打电话来道歉给我一份遥远的爱你说你想见我或许只要一会儿你想约在车站见面就在九号月台我俩可以共度周末搭乘4：55的班车但这一幕我已演过太多遍了再也无法入戏我实在不想骗你我早就知道结局再见了，灰姑娘这一切都得改变当午夜的蓝调在召唤你我想那是游戏的一部份伍佰每次在演唱会上唱起这首歌的国语版：爱你一万年，总使我愈发想念第一次听英文原曲时的感动。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。