疾风暴雨

Her experience reminded me of the flowers along the street after a cloudburst.

这样的际遇，禁不住让人联想到，一阵疾风暴雨，将路边含苞待放的花朵浇得七零八落。

That stormy little meeting ended inconclusively.

这一场疾风暴雨的小约会竟然弄得毫无结果。

It took place afler Hong Xiu Quan turned to Christianity.He Combined the theory of Millennialism and the Christian ideas of equalitarianism.

洪秀全把基督教的千年王国论和基督教的平等思想作为武器，动员千百万贫苦农民向清朝封建统治者发起挑战，进行疾风暴雨式的斩妖杀魔战斗，在南京"小天堂"建都，将天京视为新耶路撒冷，并设计出以《天朝田亩制度》为核心的千年王国建设蓝图。

For the first time in his career, Will has turned his attention to the human voice, working with singers from around the world to create a whole new idiom of music, much as he did in creating Windham Hill's sound in 1976.The impetus for HEARING VOICES actually harkens back to 1998 when Will teamed with Ugandan singer Samite for a track on the album, SOUND OF WIND DRIVEN RAIN.

如同他1976 年创立" Windham Hill之声"一样，作为他职业生涯中的首次尝试，他已将注意力转向人类的声音，他与来自世界各地的歌手合作，创造出一个全新的音乐风格。1998年Will和乌干达歌手Samite合作录制了专辑《Sound of wind driven rain疾风暴雨之音》，此举大大推进了名为"Hearing Voices"的特色音乐。

To me, confidence is a motor for a long trip, a wing for a tercel. Confidence pushes us to go forward in monstrous wave and guide us to soar in high wind storm.

在我看来，自信是远行的马达，是雄鹰的翅膀，它推动着我们在滔天巨浪中前进，引领着我们在疾风暴雨中翱翔。

They did not throw punches in flurries but in timed, slow-motion sequences that carried the full weight of their massive bodies.

他们并没有疾风暴雨般地出拳，相反他们用的是慢拳，这样他们全部的重量都可以打在他们身上。

Although Tschaikovsky s range of moods is wide from the whimsical play of light fantasy to stormy outcries of anguish essentially he was a melancholy man , in his music as in his life .

虽然柴可夫斯基情绪变化的范围很大--从变幻莫测的轻松愉快的幻想到疾风暴雨似的痛苦呐喊--但是就他的音乐而言正如他的生活一样，他基本上是个忧郁的人。

Although Tschaikovsky s range of moods is wide from the whimsical play of light fasy to stormy outcries of anguish essentially he was a melancholy man , in his music as in his life .

虽然柴可夫斯基情绪变化的范围很大--从变幻莫测的轻松愉快的幻想到疾风暴雨似的痛苦呐喊--但是就他的音乐而言正如他的生活一样，他基本上是个忧郁的人。

But the squalls are part of a bigger storm.

但是，这些争闹却是疾风暴雨之前的前奏。

For the first time in his career, Will has turned his attention to the human voice, working with singers from around the world to create a whole new idiom of music, much as he did in creating Windham Hill's sound in 1976.The impetus for HEARING VOICES actually harkens back to 1998 when Will teamed with Ugandan singer Samite for a track on the album, SOUND OF WIND DRIVEN RAIN.

如同他1976 年创立& Windham Hill之声&一样，作为他职业生涯中的首次尝试，他已将注意力转向人类的声音，他与来自世界各地的歌手合作，创造出一个全新的音乐风格。1998年Will和乌干达歌手Samite合作录制了专辑《Sound of wind driven rain疾风暴雨之音》，此举大大推进了名为&Hearing Voices&的特色音乐。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。