留题

"Up to the limit" is an art work about time. On the surface, this art work tests people's tolerance of extreme tedium of endless routine labor and unbearably apathic physical space where one can hardly stay long. But the concept of time emerges during the process of close references with the formation of the work; moreover, a hidden craziness opposite to the apathy of the work sharply stabs into the viewers' eyes and further thrusts into their hearts; and it is exactly during the process of watching, that time settles down and achieves its existence.

极限》则是一组以时间为题的作品，表面看作品是在考验一种无穷尽的忍受，一种冷漠无比的枯燥，一种不能存留的短暂的物理空间，一种样式化的不断重复的工作，时间之概念恰在这一系列与作品形成密切相关的制作当中浮现出来，并以一种与作品的冷漠完全相反的隐藏起来的疯狂，尖锐地插进观看者的双眸，并延伸到其内心，时间恰好在这观赏的过程中得以落实，而成为一种实存。

Hole because of clouds which piled high and steep terrain, environmentalyou sui, beautiful scenery, the scenery Mu Qing Dynasty, heap praise Cloud Eight title as follows: Two-Stream confluence,shi xue hidden cloud layer disc Dengkou road, down Qiaolin Court, East North Korea rain, the West Hall of evening wind, T peak month stay, the high-profile alone Song.

由于堆云洞所处地势高峻，环境幽邃，景致秀丽，清人慕其景色，题赞堆云八景为：双涧合流、石穴隐云、路盘层磴、庭俯乔林、东楼朝雨、西殿晚风、笔峰留月、高台孤耸。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。