留言

I know many of you have written in wondering where I've been and why I been amiss.

我知道你们很多人留言想知道，我到底去哪里了？或是问说为何我消失了？

If you have further digg data or anecdotes to share, feel free to leave a comment.

如果你有更多关于digg的数据或者是故事要来分享，那么请在下面留言。

I am not home right now, but please leave a message on this answering machine.

我现在不在家，请在我的电话上留言。

If you don't mind, could you please call back and leave a message on the answering machine?

如果你不介意的话，能否请你再打一次，然后在录音机上留言？

If you don't mind, could you please call back and leave amessage on the answering machine?

如果你不介意的话，能否请你再打一次，然后在录音机上留言？

Don't mind, could you please call back and leave a message on the answering machine?

如果你不介意的话，能否请你再打一次，然后在录音机上留言？

I left a message on your answering machine.

我在你的电话应答机上留言了。

If you don't mind,could you please call back and leave a message on the answering machine?

如果你不介意的话，能否请你再打一次，然后录音留言？

If you don't mind, could you please call back and lexdye a message on the answering machine?

如果你不介意的话，能否请你再打一次，然后在录音机上留言？

I called you this morning and left you a message on your answering machine.

我早上给你打了电话，在你的留言机上留了言。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。