留言

I'm not in, so please leave the message after the beep, thanks.

我现在不在家，请在"哔"的一声之后开始留言。谢谢！

I'm not at home now, please leave a message after the beep, thank you.

我现在不在家，请在"哔"的一声之后开始留言。谢谢！

I'm not at home now. Please leave a message after the beep.

我现在不在家，请在"哔"的一声之后开始留言。

I am not at home,"BEEP" after the start of a message.

我现在不在家，请在"哔"的一声之后开始留言。

I''m not at home now. please leave a message after the beep. thank you.

我现在不在家，请在"哔"的一声之后开始留言。

I'm sorry I'm not available now, please leave your message after "Beep".

我现在不在家，请在"哔"的一声之后开始留言。

This is a recording,I'm not at home,Please leave a message after the beep.

这是电话答录机。我现在不在家，请在"哔"的一声之后开始留言。

I am not at home now,please leave the message after the sound of beep.

我现在不在家，请在"哔"的一声之后开始留言。

I'm not at home now, please leave your message after "beep".

我现在不在家，请在"哔"的一声之后开始留言。

I'm not at home right now. Please leave a message after the beep.

我现在不在家，请在"哔"的一声之后开始留言。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。