画廊

This means it is still a frustratingly slow process to configure a gallery template.

这意味着它仍是一个令人沮丧的缓慢进程设定一个画廊的范本。

Our seats are in the peanut gallery tonight.

我们的座位是在今晚花生画廊。

Our seats are in the peanut gallery tonight.

今晚我们的座位是在小型的画廊里。

Photo Gallery: Clouds Light, fluffy clouds stretch across the broad sky of South Africa's Kalahari Desert.

意译：云彩的图片画廊。轻轻的，蓬松的云彩横跨广大的天空南非的喀拉哈里沙漠。

Name, Class, Country is the only work up in the gallery, as empty as a space could be, minus a jerry-rigged ladder and the back seat of a taxi car.

目前 Name， Class， Country 是画廊展示的唯一作品，空间里除了快散架的木梯和的士的后座，空荡着。

And the joy of kinetic art is to watch things move around.

去年，伦敦的塔特现代画廊展览了前面提到的马塞尔。

By the 1970s, there was an active programme of gallery refurbishments and an education service and publishing company had been established.

到了70年代，出现了积极的画廊整修方案和教育服务和出版公司已经成立。

Ms. Lin's work reflected these hand-to-mouth conditions. It was made from used household utensils - teapots, woks, scissors, vegetable choppers - that she laboriously wrapped in layers of cheap white cotton thread to create inventories of domestic life that looked both threatening and precious.

策展人选择艺术家，一般都选跟自己利益相关的艺术家，例如自己画廊或艺术机构代理的艺术家、关系比较好的学生、个人喜好的艺术家等，只有很少一部分从学术角度选择学术评价比较高的艺术家。

Investigation of the modern ink painting market is as important as the resea...

本文在界定现代水墨概念和简单梳理发展概况的基础上，结合中国当代艺术市场的大背景，从生产环节——艺术家，评价环节——理论家和策展人，流通环节——画廊、展览、拍卖行入手调查分析现代水墨的市场现状和存在的问题，并深入探讨现代水墨市场良性发展的途径和对策。

His work came to the attention of Peggy Guggenheim, whose gallery, Art of This Century, showed the most challenging new work by American and European abstractionists and Surrealists.

他来到古根海姆注意蓓的画廊、艺术本世纪新发现的最有挑战性的工作和欧美abstractionists狂放。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。