画廊

I did find 3 more !!fcs in the Gallery.

我在画廊里找到了另外三个好运卡。

You can also create your own accelerators or extensions and then share it in the gallery.

您也可以建立自己的加速器或扩展，然后分享它的画廊。

From the next years, spent mostly at Bergamo, with intervals in Venice and Jesi in the Marches, date the Dresden Madonna , Christ taking leave of his Mother at the Berlin Gallery, the Bride and Bridegroom at Madrid, the National Gallery Family Group and portrait of the Protonothary Giuliano, several portraits in Berlin, Milan and Vienna, numerous altarpieces in and near Bergamo, the strangely misnamed Triumph of Chastity at the Rospigliosi Palace in Rome, and the portrait of Andrea Odoni at Hampton Court.

从未来几年，花费大多是在贝加莫，间隔在威尼斯和jesi在游行，日期德累斯顿玛丹娜，基督考虑离开他的母亲在柏林画廊，新娘和新郎在马德里，国家美术馆家庭组和肖像该protonothary格里诺，几个画像，在柏林，米兰和维也纳，许多altarpieces在和附近的贝尔加莫，奇怪的命名有误的胜利，贞节在rospigliosi宫在罗马，和画像安德列odoni在汉普顿法院。

The primary market offers the work that emerges from artists' studios and is often displayed in carefully curated gallery shows.

一级市场出售的是直接来自艺术家工作室的作品，这些作品一般会被展览在精致的画廊中。

Octopus has become one of the most identifiable members of Spider-Man's rogues' gallery.

多年来八达博士已成为一个最识别成员蜘蛛侠的流氓'画廊。

With all eyes on Tahoe, this rogues' gallery collides in a comic race to hit the jackpot and rub out Aces.

与所有的目光就太浩，这个流氓'画廊碰撞在漫画竞赛中奖和擦了追杀令。

World Expositions are galleries of human inspirations and thoughts.

世界博览会是画廊的人的启示和思考。

World Expositions are galleries of human inspirations and thoughts.

世界博览会是人类的启示和思考画廊。

World Expositions are galleries of human inspirations and thoughts.

1世界博览会是画廊人类的启示和思考。

World Expositions are galleries of human inspirations and thoughts.

世界博览会是展示人类灵感和思想的画廊。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。