画家的风格

This fresco is typical of the painter\'s early manner.

这幅壁画法是这个画家典型的早期风格。

Her style of painting has been imitated by other artists.

她的绘画风格为其他画家所模仿。

In this style he has become a master, one of the only painters using this style and associated techniques who does not rely on copying earlier works, preferring to design his own compositions within the bounds of the Newar paintings iconography and canon.

在这种风格，他已成为一个船长，一个只有画家使用此风格和相关的技术谁不依赖于早期的作品复制，宁愿自己设计的范围内组成的尼瓦画意象和佳能。

The most interesting dwellings in this country, as the painter knows, are the most unpretending, humble log huts and cottages of the poor commonly; it is the life of the inhabitants whose shells they are, and not any peculiarity in their surfaces merely, which makes them picturesque; and equally interesting will be the citizen's suburban box, when his life shall be as simple and as agreeable to the imagination, and there is as little straining after effect in the style of his dwelling.

在我们这国土上，画家们都知道，最有趣味的住宅一般是穷困的平民们的那些毫无虚饰的、卑微的木屋和农舍；使房屋显得别致的，不是仅仅在外表上有的哪种特性，而是外壳似的房屋里面的居民生活；同样有趣味的，要算市民们那些郊外的箱形的木屋，他们的生活将是简单的，恰如想象的一样，他们的住宅就没有一点叫人伤脑筋的风格。

In art manifestation, we may conclude several kinds of styles interweaving mutually. Besides the reappearance of medieval esthetics, the extremely profound naturalism initiated by Pre-Raphaelites, the inspiration of classical sculpture and Italian Renaissance art, as well as the aestheticism occurred in fin-du-siècle, those make Victorian medieval love painting graceful, sensual, sentimental, and most, exclusively unique.

在表现形式上，可归纳出几种常见的风格互为交织，除了中世纪美学的再现之外，拉斐尔前派画家们所倡导的自然主义影响极为深远，加上古典雕刻及义大利文艺复兴的启发，以及世纪末唯美主义的感染，使得维多利亚时代的这些「中世纪之爱」作品，凭添许多抒情、优雅、感官的怀古情调，为十九世纪的英国绘画创造了一种专属的独特风貌。

Rather newer is the cultural discovery by the West and by the richer parts of Asia of a certain "China chic": the lush, epic cinematography of Zhang Yimou; the hyper-hip nightlife of a reborn Shanghai; and the Western infatuation with modern Chinese art, whose prices now leave a cynical smile on many a painter's face.

西方和带有一定&中国风格&的亚洲富国又有了新的文化发现：张艺谋豪华、壮丽的电影艺术；复兴上海的繁华夜生活；令西方人着迷的现代中国艺术，其价格现在令许多画家的脸上挂着愤世嫉俗的微笑。

Due to the country's location, Ukraine artist accept more easily the modern western artistic impactions. One is the direct introduction to the modern western arts. The other is when artists are on the way to return the noumenon of art, they no longer settle for the traditional narrative style and this happen to have the same view with the language manner in modern western art.

地处欧洲使乌克兰画家更易接受西方现代艺术的影响，一是西方现代艺术的直接传入，再是画家们在回归艺术本体过程中，已不满足于传统绘画的叙事方式，而与西方现代艺术的语言风格不谋而合。

Among the painters who broke away from the traditional style of painting were the Impressionists,who lived and worked in Paris.

在这些画家当中打破了传统油画风格的画家是印象派画家，他们大都居住和生活在巴黎。

Among the painters who broke away from the traditional style of painting were the impressionists who lived and worked in Paris.

那些脱离传统绘画风格的印象那些脱离传统绘画风格的印象派画家们在巴黎生活工作。

Redondo attempted to convert the emotion of the human being into Arabic style; in the view of Chavannes an image flow that could be converted correspondingly per each distinct concept is existed while many works by Moro takes Salome as the subject matter, presenting full-bodied mystic.

当时象征主义吸引了一大批优秀的画家，例如雷东、夏凡纳、莫罗、比利时的二十大团、巴黎的玫瑰十字，德奥的分离派等等，雷东试图将人类的情感转化为阿拉伯式的风格；夏凡纳认为&和每一项清晰的观念相对应，都存在一种能加以转述的图象思想&；莫罗的许多作品以莎乐美为题材，有浓郁的神秘气氛。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。