画家的

I have passed my hands over a plaster cast of Michelangelo's inspiring and

我的手摸过米开朗基罗（译注：1475－1564年，著名的佛罗伦萨画家、雕刻家、建筑师和诗人，意大利文艺复兴盛期的杰出代表人物。

Shown above is an artist's depiction of an intermediate polar system, also known as a DQ Hercules system.

上图所示由画家所描绘的中度的极化双星系统，是著名的英仙座DQ系统。

I am afraid the young man belonged to the pre-Raphaelite brotherhood, for he had spent a most unconscionable time upon the accessories of this picture--upon my lady's crispy ringlets and the heavy folds of her crimson velvet dress.

我猜想那年轻画家大概属于拉斐尔前派①，因为他毫无节制地把时间都花在这肖像画的枝节上了——花在爵士夫人的鬈发和猩红丝绒衣裳的厚裥上了。

He was already in the forefront of literary and artistic circles, being a close friend of the Pre-Raphaelite painter Dante Gabriel Rossetti and his circle and a champion of contemporary French poets, including Baudelelaire.

当时他作为前拉裴尔派画家丹蒂·加布里埃尔·罗塞蒂及其圈内人物的亲密朋友，已在文学和艺术领域位居前列，而且还是包括波德莱尔在内的法国同时代诗人中的领袖人物。

Go to this, the ancient person painting got away from the tie of the political preachment completely, joining the government to cure and coming out in the literature, the sign of the freedom that become the painters to express the subjective emotion.

至此，古代人物画完全摆脱了政治说教的束缚，从政治、文学中走出来，成为画家们表达主观情感的自由的符号。

The artist abandoned the realistic mode of representation,"positive literary reflection"; rather, he presents a state of actual existence from a subjective close up angle – nervousness, melancholy, relaxedness, calmness, excitement, and confusion.

画家放弃了现实主义"积极的文学反映论"的表现方法，而是从近距离视角主观表现人的真实存在状态——紧张、忧郁、轻松、舒展、兴奋和困惑等。

The artist Claude Monet applied these theories to his many paintings of the Rouen Cathedral which show the cathedral in different kinds of light.

画家莫奈的应用这些理论，他的许多鲁昂大教堂绘画，显示了不同类型的光大教堂。

They reflected the rusticity and details of the Central Plain,and emitted strong breath of countryside.

传达了中原大地的质朴、蕴厚、散发着浓郁的乡土气息、凝聚着画家对故土的热爱。

In Leonardo da Vinci 's Last Supper , where Judas has knocked over the saltcellar , the painter was mirroring an old tradition .

在达芬奇的中，犹大就撞倒了餐桌上的盐瓶，那个画家是一个古老传统的明镜。

By the mid-'30s Marsh was known as America's foremost painter of the tawdry gaieties and dreary shabbiness of the city.

中期，30年代被称为马什美国的庸俗gaieties和城市最重要的画家沉闷的堕落。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。