画家的

Action painting often looks childish to the non-artist because of the techni ques used to be apply paint,such as throwing it on the canvas.

在外行看来，动作画派的作品通常是幼稚的，这主要是因为画家采用的作画方法，比如将颜料泼洒在画布上。

Action painting often looks childish to the non-artist becauseofthe techniques used to be apply paint,such as throwing it onthecanvas.

在外行看来，动作画派的作品通常是幼稚的，这主要是因为画家采用的作画方法，比如将颜料泼洒在画布上。

Action painting frequently sees childish to the non-artist since of the techniques employ to be apply paint,like the as throwing it on the canvas.

在外行看来，动作画派的作品通常是幼稚的，这主要是因该画家采用的作画窍门，比如将颜料泼洒在画布上。

Action painting frequently easysts kidish to the non-artist since of the techniques employ to be apply paint,love the as throwing it on the canvas.

在外行看来，动作画派的作品通常是幼稚的，这主要是因该画家采用的作画窍门，比如将颜料泼洒在画布上。

By the inspiration of Jackson Pollock's "action painting", human body could act as a paintbrush to drive the paintings by his/her body motion.

美国著名画家Jackson Pollock激发了"动作绘画"的意念，以人体作为画笔，不仅为油彩艺术带出一种新的审美视野，还可有引发交错学科研究的潜在可行性。

Renasissance painters used two basic techniques to create the effect of depth-linear perspective and aerial perspective.

文艺复兴时期的画家运用两种基本的技巧去创造直线透视法和空气透视法的效果。

Dita Amory, the show's chief curator, explains that these, and indeed all the pictures painted before 1923, were deliberately omitted.

展览的主要负责人已表明有意不选1923年前的所有作品，但是她也觉得把画家55岁后的作品定义为旧印象派是强词夺理。

Middle English: from Anglo-Norman French peintour, based on Latin pictor, from the verb pingere 'to paint'Middle English: of uncertain origin; compare with Old French pentoir 'something from which to hang things

那些涂鸦画的创作者称自己为"写手"，而非"画家"，一般每个人都有自己固定的绘画地盘和自己的独特风格。。。。

The second part is the key point, it promulgate deeply that emphasizing one's"feeling"is character of sketch paining, from introducing and anglicizing the generation of several sketch painters'(Paulo·Cezanne, Alber holds·Jia Kemei the peduncle, Lu Xi'an·Floyd, a Avey gram·Arica) work, viewpoint, scheme, promulgates deeply that is the character of sketch painting by emphasizing one's"feeling".

第二部分是本文的重点，从介绍分析现当代几位写生画家(保罗·塞尚、艾伯托·贾科梅蒂、鲁西安·弗洛伊德、阿维克多·阿里卡)作品、观点、图式入手，深层揭示个人"感觉"的强调是现下写生绘画的特点。

He spent a particularly prolific and successful year in Arles, France; in October 1888, his friend and fellow painter Paul Gauguin joined him there.

他在法国阿尔勒德一年期间，也是他作品多产的一年。1888年10月，他的朋友也是同事的画家保罗。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。