画家的

painting, good abstract painting, raises some of the greatest challenges for an artist today.

抽象画，尤其是好的抽象画，是今天的画家极难做到的。

For recent years, as an academism artist, Yuanye has already had a new pursuit for art in the artworks of his color ink paintings. That is, he found the beauty of form and especially represented it.

袁野作为一位具有深厚学院派背景的画家，逐渐在其彩墨画创作中，已经显露艺术探索中的新追求，那就是对于形式美的智慧发现和独特表现。

Action painting often looks childish to the non-artist because of the techniques used to be apply paint,such as throwing it on the canvas.

在外行看来，动作画派的作品通常是幼稚的，这主要是因为画家采用的作画方法，比如将颜料泼洒在画布上。

Action painting often looks childish to the non-artist because of the techniques used to be apply paintsuch as throwing it on the canvas.

在外行看来，动作画派的作品通常是幼稚的，这主要是因为画家采用的作画方法，比如将颜料泼洒在画布上。

Action painting often looks childish to the non-artist because of the techniques used to apply paint, such as throwing it on the canvas.

在外行观来，动作派的作品通常是幼稚的，这主要是因为画家采用的作画方法，比如将颜料泼洒在画布上。

In the second half of the 15th century, the spirit of the age spread to Germany and the Low Countries , where the development of the printing press (ca. 1450) and early Renaissance artists like the painters Jan van Eyck (1395-1441) and Hieronymus Bosch (1450-1516) and the composers Johannes Ockeghem (1410-1497), Jacob Obrecht (1457-1505) and Josquin des Prez (1455-1521), predated the influence from Italy.

15世纪后半叶，时代精神传播到德国和低地国家，在这些地方印刷机与文艺复兴早期艺术家，如画家扬·范·艾克，希罗尼穆斯·博斯，作曲家约翰内斯·奥克冈，若斯坎·德普雷，雅各布·奥布雷赫特的发展早於来自义大利的影响。

Italian painter whose works, including religious subjects, portraits, and frescoes, exemplify the ideals of the High Renaissance.

拉斐尔意大利画家，他的宗教主题绘画，肖像画，壁画等作品集中代表了文艺复兴全盛时期的思想

Impressionist painter but a more thorough study of Oriental art of expression lines, he very much appreciate Japan Katsushika Hokusai's "Ukiyo-e."

但比印象派画家更彻底地学习了东方艺术中线条的表现力，他很欣赏日本葛饰北斋的&浮世绘&。

Auguste, born in 1834 in Dijon , France , was the youngest son of the notable painter and sculptor Jean Baptiste MOREAU.

奥古斯特於 1834 年生於法国大城 Dijon ，他是尚。巴普堤斯特。摩荷这位著名的画家兼雕塑家的小儿子。

At first, this paper recites all La Tour's life and the course of his found.

本文开篇介绍了十七世纪法国画家乔治·德·拉图尔的生平及被发现的过程。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。