画家的

"The term was coined by Jean Dubuffet, who regarded such works as the purest form of expression."

该词是法国画家迪比费所创。他的绘画作品表现出他称之为真正涩艺术的那种真挚和质朴。

"The term was coin ed by Jean Dubuffet, who regarded such works as the purest form of expression."

该词是法国画家迪比费所创。他的绘画作品表现出他称之为真正涩艺术的那种真挚和质朴。

"The term was coined by Jean Dubuffet, who regarded such works as the pure st form of expression."

该词是法国画家迪比费所创。他的绘画作品表现出他称之为真正涩艺术的那种真挚和质朴。

It had a specific significance for the Antique Charm to be exhibited in the Salon of Independent Artists established by the post-impressionist artists Seurat and Signac.

古韵》能在后印象派画家修拉和西涅克创立的独立艺术家沙龙展出有某种象征的意义。

The statue was conceived when Leonardo was 30 and working as "painter and engineer" to the court of Lodovico Sforza, the Duke of Milan.

骏马》雕像是达·芬奇30岁时构思的，当时他是米兰大公洛多维科·斯福尔扎的宫廷&画家与工程师&。

As if he was possessed - his look of concentration reminded me of a face in an El Greco painting.

那种专注的神情让我想起西班牙画家埃尔·葛雷柯某幅画作中的一张脸。

One observer noted that His Holiness seemed particularly intrigued by paintings by Mark Rothko and Jackson Pollock.

一位观察员发现，法王似乎对马克罗斯科和杰克逊波拉克（多多注：两位都是著名的抽象主义画家）的作品尤其感兴趣。

Years before his birth, in 1768,the Royal Academy of Arts was founded by a group of artists, sculptors and architects, led by Sir Joshua Reynolds, and including some of the future stars of British art like Thomas Gainsborough.

在透纳出生7年前，也就是1768年，由乔舒亚雷诺兹爵士以及后来的新起之秀托马斯庚斯博罗等人领导的一批画家、雕塑家和建筑家组建了英国皇家美术学院。

In the second half of the 15th century, the spirit of the age spread to Germany and the Low Countries , where the development of the printing press (ca. 1450) and early Renaissance artists like the painters Jan van Eyck (1395-1441) and Hieronymus Bosch (1450-1516) and the composers Johannes Ockeghem (1410-1497), Jacob Obrecht (1457-1505) and Josquin des Prez (1455-1521), predated the influence from Italy.

15世纪后半叶，时代精神传播到德国和低地国家，在这些地方印刷机与文艺复兴早期艺术家，如画家扬·范·艾克，希罗尼穆斯·博斯，作曲家约翰内斯·奥克冈，若斯坎·德普雷，雅各布·奥布雷赫特的发展早于来自意大利的影响。

In the second half of the 15th century, the spirit of the age spread to Germany and the Low Countries , where the development of the printing press (ca. 1450) and early Renaissance artists like the painters Jan van Eyck (1395-1441) and Hieronymus Bosch (1450-1516) and the composers Johannes Ockeghem (1410-1497), Jacob Obrecht (1457-1505) and Josquin des Prez (1455-1521), predated the influence from Italy.

15世纪后半叶，时代精神传播到德国和低地国家，在这些地方印刷机与文艺复兴早期艺术家，如画家扬·范·艾克，希罗尼穆斯·博斯，作曲家约翰内斯·奥克冈，若斯坎·德普雷，雅各布·奥布雷赫特的发展早於来自意大利的影响。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。