画家的

"" I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc. I prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.

我继续得到进一步远离一般画家的工具，如画架，调色板，画笔等，我更喜欢棍棒，泥刀，刀和液体滴油漆或沙子，碎玻璃或其它异物沉重impasto补充。

I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc. I prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.

我继续抓紧远离一般画家的工具如画架、调色板、画笔、等我宁愿棍棒，trowels、刀、颜料或滴液沉重 impasto 沙、碎玻璃或其它异物。

Modeling with color, this is a common feature of impressionist painters.

用色彩造型，这是印象派画家的共同特点。

Karsh was praised as a master portraitist, often working in black and white, influenced by great painters of the past.

卡什被誉为肖像大师，由于受到历史上一些著名画家的影响，他在作品中经常运用黑白色彩。

Karsh was praised as a master portraitist,often working in black and white,influenced by great painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白影像。

Karsh was praised as a master portraitist, often working in black and white, influenced by great painters of past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影。

Kart was praised as a master portraitist, often working in black and white, influenced by great painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影。

Karsh was prased as a master portraitist,often working in black and white,influenced by great painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影。

Karsh was praised as a master portraitist, often working in black and white, influenced by great patient painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影。

Karsh was praised as a master portraitist, often working in black and white,influenced by great painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。