画家的

Dutch still life painters: Hyda, Claesz and Kalff, the scenery painters of Salomon van Ruysdael and his nephew Jacob van Ruysdael, Going, Berchem, Hayden and CapelleToday, Jan Hagemann, the son of Hans Hagemann, has brought partial works collected by the family to China to share these lovely art pieces with a broader audience.

汉斯·哈格曼的收藏包括了佛兰德斯画家鲁本斯、凡·代克、斯奈德斯、扬·勃鲁盖尔、布劳威尔、西格斯、菲特、荷兰静物画家海达、克拉斯、卡尔夫、风景画家萨洛蒙·范·雷斯达尔及其侄子雅各布·范·雷斯达尔、戈英、贝尔赫姆、海登以及卡佩勒等许多西洋绘画史上的显赫名字。

Notable people of Freehand, said: the artist Zhao Xing the simplest flowers and grass in his painting to integrate into the world of the artist zhengdonglu has some thoughts and feelings, such as a result of the border that '' soul, it is hoped that the artist appears in the character of ariting and librarians'personality connation.

当代著名的写意人物画家赵星说："最简单的一花一草在他的绘画中，都以境界的营造融入了画家已有的思想和情怀，这样的'因心造境'，显示了画家厚重豁达的性格内涵和人格修养。"

I should want to feast my eyes upon the warm colors of Veronese, study the mysteries of E1 Greco, catch a new vision of Nature from Corot. Oh, there is so much rich meaning and beauty in the art of the ages for you who have eyes to see!

我要让我的眼睛饱享维勒内兹（译注：1528－1588年，意大利威尼斯派画家）那炽烈的色彩，研究埃尔·格列科（译注：1548－1625年，西班牙画家）的神秘，从科罗（译注：1796－1875年，法国风景画家）那里领略大自然的新视觉。

This conversation piece is the work of one such painter, Philip Mercier, German-born but French-inspired and much influenced by Watteau.

这幅与姐妹交谈的版画就是由其中一位画家菲利普？梅西耶所作。这位画家出生在德国，却于法国受熏陶，得到灵感，深受法国画家华托的影响。

The abolition of the Yuan Dynasty and Five Dynasties, Song Dynasty art system, with the exception of a small number of experts in the service of court painter, there are some high-ranking official of the artist, but more of the literati painters lived Bushi.

元代取消了五代、宋代的画院制度，除少数专家画家服务于宫廷外，还有一部分身居高位的士大夫画家，但更多的是隐居不仕的文人画家。

This article select the topic, in order to study the influence of the painting schema existed playing on the painter's art activity in his painting career, through the analysis to some problems concerning painting and schema. Then inquire how the painter particularly for the contemporary painter treat and make use of the forepassed schema from the angle of the development of art.

本文选此题目，通过对绘画、图式及有关问题的剖析，研究画家在其绘画生涯里，已经存在的绘画图式对其艺术行为的影响，并从发展的角度探讨画家，尤其是当代画家该如何对待图式，并如何运用图式。

Because no matter how master an artist was, he dared not draw an emperor uglily---- a grog blossom might be beautified as high and straight one, small ears might be overleaped by the artists on purpose, but we shouldn't blame them much as it is more important to linger on in a steadily worsening condition than to devote for art.

无论多么高超的画家都不敢轻易地把把皇帝画丑了，酒糟鼻也许会幻化成高挺的鼻梁，小耳朵也许让画家故意地省略。这怪不得画家，苟延残喘地活着比为艺术献身要来得实在。

There are artful artists and awful artists, although there are a lot of awesome artful artists, annoying awful artists occur more often.

这里有好的画家和不好的画家，虽然令人尊敬的好画好很多，令人讨厌的不好的画家也经常大量的出现。

Among the painters who broke away from the traditional style of painting were the Impressionists,who lived and worked in Paris.

在这些画家当中打破了传统油画风格的画家是印象派画家，他们大都居住和生活在巴黎。

I should look deep into the canvases of Raphael, Leonardo Da Vinci, Titian, Rembrandt. I should want to feast my eyes upon the warm colors of Veronese, study the mysteries of El Greco, catch a new vision of Nature from Corot.

的油画。我要让我的眼睛饱享维勒内兹（译注：1528－1588年，意大利威尼斯派画家）那炽烈的色彩，研究埃尔·格列科（译注：1548－1625年，西班牙画家）的神秘，从科罗（译注：1796－1875年，法国风景画家）那里领略大自然的新视觉。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。