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与 画家 相关的网络例句 [注:此内容来源于网络,仅供参考]

They meets on the train, he sits in her oppositely, he is a painter.

他和她邂遇在火车上,他坐在她对面,他是个画家

A true photographer is as rare as a true poet ora true painter.

一个真正的摄影师像真正的诗人或真正的画家那样少见。

Some thought-provoking questions about this phenomenon include: was these artists' understanding of the "Orientalist" strain of Western art limited to emulating its form?

令人深思的是这些画家们对西方此一艺术表现思潮之了解是止於形式上的模仿,或是能够深入其文化上的意涵?亦即他们所作的只是形式上的置换而已,或是文化上的换喻。

European Orientalist works were in fact readily available for viewing and analysis while these artists studied in the West. Thus their depictions of minorities may be seen as an outgrowth of their studies in Europe.

二十世纪初当这些画家们仍在欧洲留学时,他们都有机会看到一些欧洲「东方主义」的艺术作品,因此这个现象也许可以视为是他们对西学的一种反刍。

And in his day, before cameras or reliable preservation techniques, bird artists gathered and recorded important scientific information about the ornithological world.

在他的那个年代,在照相机或其他的纪录设备出现以前,画鸟的画家收集和纪录了有关鸟类的重要科学资料。

The most conspicuous example is painting: reacting against the fossilized conventions of institutionally approved,'academic' art, young painters developed self-consciously innovative and individualistic styles of work, and published manifestos in which they explained that their work heralded a new artistic movement (Orphism, Vorticism, Futurism, or whatever).

最显眼的例子绘:起反应反对僵化的大会协会上批准,『学术』艺术,年轻画家自觉地开发了工作创新和个人主义的样式,并且出版了他们解释的宣言在他们的工作宣布了新的艺术性的运动(Orphism, Vorticism,未来主义或者什麼)。

Pablo Picasso is considered to be one of the most important oil painters in the 20th century in bar.

巴勃罗·毕加索(1881—1973)被认为是二十世纪最重要的画家之一。

This is a painting by the Spanish artist, Pablo Picasso, considered to be the greatest western artist of the twentieth century.

这是西班牙画家巴勃罗。毕加索的一幅油画,他被认为是20世纪西方最伟大的艺术家。

Pablo Picasso's name in the art world is like Michael Jackson in the music world.

现在,让我们再来看另一个画家毕加索。

In another word, the status does not exist that a painter should learn from nature "purely" without any "prejudice" and paint realistically by facing an object to paint out what he or she has perceived. To obtain such capability, painting learners or students shall use their eyes (teachers ask students in the painting class "where are your eyes and your perceptions") to observe objects and things at the beginning of study and then paint the models faithfully by means of "facade-subdivision"(or "preferring to square not round" as described by Xu Beihong, or decomposing the object into many petty facades as described in the line drawing textbook by P.P. Chistjakov so as to turn around the object bit by bit).

也就是说,不存在这样一种状态,画家为了画出自己的感觉,他们应该"纯洁"地不带"偏见"地去向自然学习,去面对物体直截了当地写生,而为了获得这种能力,在学习绘画的初始阶段,就必须训练学生们用自己的眼睛(在绘画课室里,老师总是质问学生,你的眼睛在哪里,你的感觉在哪里)去观察对象,然后用一种"分面"的方法(也就是徐悲鸿所说的"宁方勿圆",或者按照据说是契斯恰科夫的素描教程的要求把对象分解成许多小面,以便使物体能够一点一点地转过去的方法)把眼前的模特如实地画下来。

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