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In the final episode of Wild and Dangerous, British wildlife artist Eustace Barnes braves the dangers of the Preuvian rainforest to track down the birds he loves to paint.

英国野生生物画家尤斯达班斯敢於面对秘鲁森林的危险,追踪他爱画的鸟类。

What seems to be very much predicated on the painter's judgment of his own reaction to an exteriority (one whose history is every bit as large and convoluted and elegantly held within four sides of canvas here as, say, the dialogue between East and West in the 1950'0s and 1960's was above) might become, for the viewer, more like a querulous modeling of the therapeutic function of desire.—— From Martin Herbert, Suzuki ' s Jaguar,( Kristian Ryokan, exhibition catalogue, Milton Keynes Gallery, 2005

画家就他个人对一种外部存在(其历史同东西方上世纪五六十年代的对话一样重要,一样复杂,而且优雅地被规矩于画布的四边之内)的反应的判定上,那些被断言的东西对观者来说,可能会变成对欲望的治疗功能的牢骚满腹的模仿。

The totalrelations of society is the exteriorization of the poly-self of individual.

那时,"没有单独的画家,只有把绘画作为多种活动中的一项活动的人们。"

In his art, one point is the extremeness of the creating, just as Benjamin says "catabolize in catabolization"; the other point lies in the civilian of the artist, for he doesn't give up the traditional Chinese waterink complex.

在他这里,一个方面是创作的极端化,就象本雅明所说,在异化中彰显异化;另一个方面是画家的草根性,他始终不愿放弃中国人的水墨情结。

Patrick White, an Australian writer who once visited him, drew on him for the painter in his novel "The Vivisector", but in his dogged modesty and solitariness Fairweather more closely resembled White's desert explorer in "Voss".

澳大利亚作家帕特里克·怀特曾拜访过他,并且在小说《活体解剖者》中把他拿来作为里面画家的原型,但是费尔韦瑟的固守贫贱,自甘遁世的性格更接近怀特另一本小说《沃斯》中那个沙漠探险家。

Feng's path of creation started with an abundance of colours and arrives at a calm monotony, from a faithful representation to one riddled with suspicion, from a traditional realistic viewpoint to a modernistic realistic viewpoint, causing his recent art to contain a different cultural significance. However, this is where Feng has taken the initiative to adhere to the rational judgments and cultural criticisms of products in different situations.

冯劲草的创作之路从色彩斑斓到单调冷静,从忠实再现到过滤怀疑,从传统真实观到新的真实观,使得画家近期绘画所传达出的文化含义有别,但这些都是冯劲草面对不同的情境主动坚持理性判断和文化批判的产物。

Feng's path of creation started with an abundance of colours and arrives at a calm monotony, from a faithful representation to one riddled with suspicion, from a traditional realistic viewpoint to a modernistic realistic viewpoint, causing his recent art to contain a different cultural significance.

冯劲草的创作之路从色彩斑斓到单调冷静,从忠实再现到过滤怀疑,从传统真实观到新的真实观,使得画家近期绘画所传达出的文化含义有别,但这些都是冯劲草面对不同的情境主动坚持理性判断和文化批判的产物。

I'm so surprised when I heard that famous artist is having relations with my family.

当我发现那位著名画家竟与我家有亲戚关系时,感到十分惊讶。

"Fauvism:an early 20th-century movement in painting begun by a group of French artists and marked by the use of bold, often distorted forms and vivid colors."

"野兽派:20世纪早期的绘画流派,由一群法国画家发起,其特点是显著的鲜艳色彩和对开式的自由处理。"

Fauvism can be classified as an extreme development of Van Gogh 's Post-Impressionism fused with the pointillism of Seurat [ 2 ] and other Neo-Impressionist painters, in particular Paul Signac .

野兽派可划分为一个极端的发展,凡高的后印象主义与融合在描的塞拉特 [2]和其他新印象派画家,尤其是保罗罗希涅克。

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Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

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