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Some painters, like Gerhard Richter, make the opposition between process and product,"gesture" and "object," their theme: in Richter's version of "Action painting," The painter gets to behave like time.

"一些画家,如总理里希特,使反对派之间的工艺和产品,"姿态"和"对象",其主题是:在里希特版的"行动绘画","画家进入类似的表现时间。

But it is not improvisational daubing and free application on canvas. To some extent it is more based on many qualities of artist such as culture, disposition, and ability, therefore, although it provides artist the freedom of expression_r_r, it is also necessarily critical to judge them.

但是,抽象绘画绝对不是仅凭即兴的涂抹和尽兴的挥洒就可以成立的,在某种程度上,它更多地依赖画家在修养、秉性、才情等方面的素质,因此,尽管抽象绘画为画家提供了表达的自由,但也极为挑剔地评判画家的综合素质。

This article select the topic, in order to study the influence of the painting schema existed playing on the painter's art activity in his painting career, through the analysis to some problems concerning painting and schema. Then inquire how the painter particularly for the contemporary painter treat and make use of the forepassed schema from the angle of the development of art.

本文选此题目,通过对绘画、图式及有关问题的剖析,研究画家在其绘画生涯里,已经存在的绘画图式对其艺术行为的影响,并从发展的角度探讨画家,尤其是当代画家该如何对待图式,并如何运用图式。

Because no matter how master an artist was, he dared not draw an emperor uglily---- a grog blossom might be beautified as high and straight one, small ears might be overleaped by the artists on purpose, but we shouldn't blame them much as it is more important to linger on in a steadily worsening condition than to devote for art.

无论多么高超的画家都不敢轻易地把把皇帝画丑了,酒糟鼻也许会幻化成高挺的鼻梁,小耳朵也许让画家故意地省略。这怪不得画家,苟延残喘地活着比为艺术献身要来得实在。

There are artful artists and awful artists, although there are a lot of awesome artful artists, annoying awful artists occur more often.

这里有好的画家和不好的画家,虽然令人尊敬的好画好很多,令人讨厌的不好的画家也经常大量的出现。

In this text the first part analyses the origin of the appearance of modern painting's decorative character, that is because of the development of the society under which is subjected to the new philosophy thought and art idea, meanwhile it is stimulated by the originality art and east art etc; in the second part elaborates the exploration of painting's decorative character by Western modern painting artists by analysising individual cases; the third part recounts the concrete manifestation of modern painting's decoration by analysising the composition, shape, color, skin texture aspect etc; the forth part puts forward the influence of western modern painting's adornment element to China contemporary painter and China painters'investigation to the adornment element.

本文第一部分分析西方现代绘画出现装饰性的历史渊源,既是由于社会的发展,受新的哲学思想、艺术观念的影响,又是受原始艺术和东方艺术等外来艺术的刺激;第二部分以个案分析的形式阐述了西方现代派画家对绘画装饰性的探索;第三部分着重从构图、造型、色彩、肌理等几个方面来述说现代绘画装饰性的具体表现;第四部分提出西方现代绘画装饰性对中国当代画家的影响及中国画家在装饰性上的探索。

The picture was finished now, and hung in the post of honour opposite the window, amidst Claudes, Poussins, and Wouvermans, whose less brilliant hues were killed by the vivid colouring of the modern artist.

这肖像画现在画好了,挂在面对窗子的光荣柱上,跻于克罗德、蒲桑和伍维曼等大画家的作品之间,这些大画家不太鲜明的色彩倒被这位当代画家的鲜艳色泽掩盖了。

Butterfly, a symbol of what a wonderful dream, cat, dog, red, ice, snow, gentle, love is perhaps the subconscious of the young painter Perishable's Lament, the longing for love, for self-dual or cold lonely heart ridicule, Kogusu, daffodils Years Old Little Love, a white flower buttercup, blue water rafting around the situation so much a painter's friend, rather, is with the self-life aesthetic of beauty, purity, free abstract ideal reflection and youth Imagine interpretation, these works reveal the artist in the virtually real and realistic three-dimensional puzzle, showing the deep spirituality of individual aesthetic white, innocence, kindness, fantasy, sincere, innocent and beautiful.

蝴蝶,多么美好的梦的象征,猫咪、小狗、红线、冰、小雪、温柔、爱或许正是画家潜意识对青春易逝的感喟、对爱的渴望、对自我内心孤寂的偶或冷嘲,小楠、水仙、小娜、小爱、白色花毛茛、碧波泛舟与其说是画家周遭情境中的朋友,毋宁说是对自我生活审美与对美好、纯洁、自由的理想化抽象观照与青春畅想演绎,这些作品于无形中透漏着画家的立体真实和现实困惑,透出了审美个体性灵深处的洁白、无邪、善良、梦幻、真诚、天真和美丽。

Among the painters who broke away from the traditional style of painting were the Impressionists,who lived and worked in Paris.

在这些画家当中打破了传统油画风格的画家是印象派画家,他们大都居住和生活在巴黎。

I should look deep into the canvases of Raphael, Leonardo Da Vinci, Titian, Rembrandt. I should want to feast my eyes upon the warm colors of Veronese, study the mysteries of El Greco, catch a new vision of Nature from Corot.

的油画。我要让我的眼睛饱享维勒内兹(译注:1528-1588年,意大利威尼斯派画家)那炽烈的色彩,研究埃尔·格列科(译注:1548-1625年,西班牙画家)的神秘,从科罗(译注:1796-1875年,法国风景画家)那里领略大自然的新视觉。

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