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Feb. 9, 2010. Sade - Soldier of Love Massive Attack - Heligoland.

还有那个出恬静睡莲的莫奈,他的那样安然。

In my novel, My Name is Red, when I wrote about the old Persian miniaturists who had drawn the same horse with the same passion for so many years, memorising each stroke, that they could recreate that beautiful horse even with their eyes closed, I knew I was talking about the writing profession, and my own life.

在我的小说《我的名字叫红》中,当我写到那个老波斯家以一种不变的热情长年着一模一样的马,一笔一都能倒背如流,闭着眼睛也能出那些漂亮的骏马。我知道我在谈论写作的职业化,和我自己的生活。

As for Ukiyo-e prints, Suzuki Harunobu reached his prime time at his late years. For example 《Romantic Voluptuous Little Pretty》,《the Eight Scenes of Beauty's Chamber》《Romantic Beauty Mirrors》, this group of three of beauties are very famous. Kitagawa Utamaro had unique aesthetic appreciation, presenting women's charming and grace. Another artist Toshusai Sharaku didn't created many works. He appeared only for a short period of time, just like a shooting start crossing the sky. Katsushika Hokusai's "the Thirty-six Scenes of Fuyue" was the beginning of the popularity of Ukiyo-e prints. His work absorbed the factors of western world. Many of his works presented grandeur in front of people. The works of Utagawa Hiroshiga were also outstanding. His works revealed a sort of " Japanese complex".

浮世绘方面,铃木春信的创作旺盛期是在晚年,《风流艳色小豆人》、《风流闺室八景》和《荡女鉴镜图》三组美人非常著名;喜多川歌磨有着独到的审美意识,展示女性的妩媚动人和优雅神态;役者绘大师东洲斋写乐的作品不多,仅仅出现在一个极短的期间,犹如历史夜空中一闪而过的彗星;葛饰北斋的&富岳三十六景&是浮世绘风景流行的开端,作品吸取西洋的绘元素,大多雄伟壮丽;歌川广重的&名所绘&出类拔萃,中流露一种&日本情结&。

The erotic drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hung a veil between them and Fuseli's popular fairy paintings nearby, which are a favorite with children.

由于Fuseli和他的学生Theodor von Holst的素描和版的色情描绘过于直接,因此泰特美术馆拉了一副帘子,将这些与旁边的Fuseli的被人们,尤其是小孩所喜爱的仙女隔开。

The ★erotic[23] drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hung a veil between them and Fuseli's popular fairy paintings nearby, which are a favourite with children.

由于富塞利及其学生霍尔斯特的素描和版色情描绘过于直接,泰特美术馆就悬挂起一块幕布,将在这些与近旁富塞利那些迎合大众的,尤其是孩子们最爱看的仙女隔开。

The★ erotic[23] drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hung a veil between them and Fuseli' s popular fairy paintings nearby, which are a favourite with children.

由于富塞利及其学生霍尔斯特的素描和版色情描绘过于直接,泰特美术馆就悬挂起一块幕布,将在这些与近旁富塞利那些迎合大众的、其是孩子们最爱看的仙女隔开。

The ★erotic[23] drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hung a veil between them and Fuselis popular fairy paintings nearby, which are a favourite with children.

由于富塞利及其学生霍尔斯特的素描和版色情描绘过于直接,泰特美术馆就悬挂起一块幕布,将在这些与近旁富塞利那些迎合大众的、尤其是孩子们最爱看的仙女隔开。

The★erotic[23] drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hung a veil between them and Fuseli's popular fairy paintings nearby, which are a favourite with children.

由于富塞利及其学生霍尔斯特的素描和版**描绘过于直接,泰特美术馆就悬挂起一块幕布,将在这些与近旁富塞利那些迎合大众的、尤其是孩子们最爱看的仙女隔开。

The ★ erotic[23] drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hu ng a veil between them and Fuseli's popular fairy paintings nearby, which are a favourite with children.

由于富塞利及其学生霍尔斯特的素描和版色情描绘过于直接,泰特美术馆就悬挂起一块幕布,将在这些与近旁富塞利那些迎合大众的、尤其是孩子们最爱看的仙女隔开。

When Langdon had first seen The Little Mermaid, he had actually gasped aloud when he noticed that the painting in Ariel's underwater home was none other than seventeenth-century artist Georges de la Tour's The Penitent Magdalene--- a famous homage to the banished Mary Magdalene--- fitting decor considering the movie turned out to be a ninety-minute collage of blatant symbolic references to the lost sanctity of Isis, Eve, Pisces the fish goddess, and, repeatedly, Mary Magdalene.

兰登第一次看到《美人鱼》时,大吃一惊。他发现电影中&水下住宅&的样子跟十七世纪家乔治。德拉。图尔所的《悔过的抹大拉》上的建筑一模一样。那幅是为被驱逐的玛利亚。抹大拉而作的,九十分钟的电影有许多象征着圣洁失去的面,如伊希斯、夏娃、双鱼、鱼后及再三出现的抹大拉,相比原作要艳丽得多。

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