画

Yueyuan Wang, with profound wax painting level and the using of the wax knife by superb, creates a new form of encaustic wax wood-block painting.

王月园以深厚的蜡画功底、蜡刀出神入化的运用创造了一种新的蜡画形式——蜡板画。

Mr. Shamaragwe is referring to the Community Nutrition Program, an on-going joint project between UNICEF, local authorities and residents. Over half of Rwandan households are prone to food shortages caused by unprecedented problems like fluctuating global food prices and natural disasters. The program aims to educate the people about proper nutrition by helping them establish their own household gardens - and thus increasing overall land cultivation.

沙马拉格威先生是社区营养计画的一员，而这个进行中的计画，由联合国儿童基金会、政府当局和民众一起执行，有超过一半的卢安达家庭正处於像世界物价涨动和天灾、这些不可测的粮食短缺问题当中，而这个计画教导他们有关营养均衡的知识，建立自己的家庭花园，来增加整体性的土地培育。

Now I had him watching a train, counting the cars; now in abstract, lying prone atop a flatcar, bearing a machine gun.

画上的他看着一列火车，数着车厢；寥寥数笔又把他勾勒出趴在一辆平板货车上，架着机关枪；画册的最初几页画上了希特勒和墨索里尼；之后画上父母；伤心欲绝的雅克布。

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅，巨大的石头几乎占满了整个画面，相比之下，画中的人经过了激烈的挣扎，松弛了下来，形将瘫软一般，渺小，无能，心有不甘而黯然神伤，俨然已经放弃了与石头的搏斗，在这个英雄主义调式的系列里，尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对，这幅画中的人甚至显出了一种酸楚的滑稽感——这里，我们确知反讽已经介入了他的绘画，并且，可以理解为一种自我反讽，它并非是纨绔式的慵懒，然而，确实不再绷紧他全身的肌肉，不再保持激昂而单一的斗姿，好像一切都已经难以为继，在画中的英雄卸下了石头的同时，艺术家自己也仿佛卸下了英雄梦，任凭那巨大的石头像烈火般燃烧和蔓延，包围我们，紧紧地挤压、烤炙我们，并且溢出整个画面，它以全部的沉重、坚硬和尖锐使我们窒息，反衬出我们脆薄如剪纸般的生命。

The Storm: Hannibal Crossing the Alps and his Army of Snow Storm (1812)(snow-man looked Hannibal and his Army: line, Alps 1812)- most early career, the most sophisticated and most important work in one year, the exhibition catalogue, from oneself, not complete poem the hope of a few lines of falsehood pulled to increase this painting, literature and history in his fearsome galvanism scenes with water and the mountains like natural forces extremely exuberant imagination, result, this painting will to people's emotion scenery formed lofty feeling and history of painting, a combination of thought.

暴风雪：汉尼拔和他的军队穿越阿尔卑斯雪山》（1812）（Snow Storm： Hannibal and his Army Crossing the Alps 1812）——透纳艺术生涯早期最具气势，最精良也是最重要的作品之一，在当年的展览目录上，透纳从自己不完整的诗作《希望的谬误》里抽出几行来增加这幅画的文学和历史成分，再加之以他那令人生畏的场景和风与水那排山倒海般自然力量的极其旺盛的想象，结果便是，这幅画将风景对人的情感形成的崇高感和历史画的道德、思想关怀结合了起来。

But it is a grange picture, for we ourselves are moving about in it: we can eat that fruit and can walk in a copy of the garden.

但是这幅画非常奇特，因为我们自己在画中移动，我们可以吃水果，可以在画中的花园中散步。

One friend of mine comes to my atelier,when he sees my houseful paintings,he says:"What you drawed are not paintings,but loneliness in houseful!"

一朋友来我这里，看见我满屋的画，说："你这哪画的是画，是一屋的寂寞呀！"

I myself looked upon these works in wonder and amazement, and while that might seem immodest, I know for a fact that they were good. They didn't look anything like my drawings, and I later gave up trying to produce anything as good.

自己看了自己的作品欢喜赞叹，似乎太不象话，但是我确实知道那些画是好的，完全不像我画的，以后我再也休想画出那样的图来。

Our department can provide the massive alone national characteristics the picture core, the decoration painting, this decoration painting utilization birch tree grain principle, and unifies is fashionable immediately the idea and the advanced production process careful manufacture craft picture, the picture uses the import equipment printing and the high quality photographic paper necessary manufacture, reflected lives together in Northeast most north area China of national minority -- Oroqen national minority's five small nationalities scenery charac...

我部能提供大量独具民族特色的画芯，装饰画，该装饰画运用桦树皮纹理，并结合当下时尚理念和先进的制作工艺精心制作的工艺画，画面采用进口设备打印及高品质相纸配套制作，以反映聚居在东北最北部地区的中国五小民族之一的少数民族－－鄂伦春族的风景人物、萨满宗教、图腾神偶为主要内容，该作品即可以单独装饰成画用以布置家居、馈赠亲朋，详情请参阅相关内容介绍。

Mr. Guo Moruo then somehow also fall into that debate nine horses painted mountain stereotypes, but he painted a few Piedmont but no matter how nine Malay boat tour now, before he finally realized:"Kuba Art Hill 8 horse, behind a love Lijiang River "has become a momentary joke.

当年郭沫若先生不知怎地也落入了那画山辩九马的俗套，但他在画山前却怎麽也数不出九匹马来，船游至此，他才恍然大悟："九马画山八匹马，落后一匹恋漓江"，成了一时的笑谈。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。