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But now rich people will pay through the nose for one, sometimes more than US$5 million.

可是,现在那些有钱人却愿意出高价买他的,有时候一张就要五百多万美元。

We always pay attention to inviting and training talents, constantly increase product varieties, developed from single modern organic glass paintings into six series including manual carved callingraphy and painting, photo frame for wedding dress, high-grade color engraving, archaized screen and art painting with near 800 kinds, which are popular in over 20 provinces and cities at home,also exported to more than 50 countries and regions like the Occident,Australia,Southeast Asia,etc.

由于公司长期以来注重人才的吸收与培养,产品种类不断增加,从单一的现代有机玻璃发展到目前的手工精雕字、婚纱相框、手雕彩绘、高档版、仿古屏风、综艺六大系列将近八百多个品种,现已产销国内二十多个省市、远销欧美、澳洲、东南亚等五十多个国家和地区。

Marsh was also entirely capable of cruel satire, as he showed when he painted patrons of the opera preening in furs and jewels during the bitter winter of 1936; his smug debutantes and dowagers and their escorts are far less sympathetically portrayed than the blowziest strippers or fattest bathers in his burlesque and Coney Island paintings.

马什也完全有能力残酷讽刺,因为他发现他的时候,在1936年的寒冬在皮草和珠宝歌剧得意洋洋的顾客,他的得意首次参加和太后和他们的陪同远不同情描绘比blowziest脱衣舞或肥他滑稽的泳客和科尼岛的

Another child, this one a boy not much older, in a smart green coat with raspberry velvet collar, painted by Francis Cotes, a British 18th-century academician, has a poignancy that pulls you back to it time after time.

另一幅中的小孩子,也大不了多少,身穿漂亮的绿色外套,外套的领子是紫红色的天鹅绒。这幅是英国18世纪院士Francis Cotes的作品。蕴含其中的深沉情感,令人流连忘返。

He countered my plan with one of his own.

他用他自己的计与我的计抗衡。

I have been there for many times to do sketches. The cracked old roots and fissures of the truck touched the bottom of my heart again and again. In the painting "Cypresses in the Forbidden City", I used a so-called method of scattered dots to depict the fissures which is extremely rare in similar paintings, while for the walls I used the crimpling skills to reveal its weathering nature. It is because I believe that all techniques and effects should be centered on the main themes, to make paintings more profound in humanism.

我曾无数次地到那一带去写生,那苍茫的老树根,那干裂的树纹肌理,曾一次次地触动我的心扉,《皇城古柏》这幅我用散笔法来表现柏树的纹理效果,由上至下,气韵贯通,这种方法在柏树里并不多见,用打点的方法来点树叶,层层打点积厚,但又注意疏密的关系对比,形成密不透风,疏可走马的效果,而皇城的城墙我则采取皱纸法来做出墙面的沧桑肌理效果,以此来传达出皇城这一历经风雨的历史厚重感,我的创作理念是:一切技法和效果为主题服务,让面丰富起来,让面融入人文内涵。

In those days, Liu Yong always was one of the first ones who played rock music, rode motorcycle, operated company, learned computer, drove automobile and went abroad…I still remember that Liu Yong taught me to ride bicycle. We went to the outskirt along Xi Ba River to sketch. Going through weeping willow, there were very tall eucalyptus leaves, moving back and forth in the wind. They looked green sometimes, and reflected sunshine sometimes, resembling those dreamy and innocent days: mountains and lake, girls washing clothes by the river, boatmen living in lake, fisherman casting net, youth fishing, buffalos dazing, and water birds observing everything by reeds…We caught everything in our paintings, obsessed with painting. The world outside, and the peace of monastic life all moved far away. Those shared days were the pure, clear and beautiful time in both Liu Yong's and my life.

多年来,昆明这个小城最早玩摇滚、骑摩托、干公司、弄电脑、开汽车、办出国,刘涌可都是走在前面的人……记得是刘涌教会了我骑自行车,每天我们骑车沿着西坝河到郊外去写生,穿过佛面垂柳,后面是一排排高高的杨草果,在风中摇动树影,时而满目幽绿,时而反射银白的阳光,象是那晃惚懵懂的岁月:湖光山色、河边洗衣的少女、水上船家、撒网的渔翁、钓鱼的少年、发呆的牛儿、苇草边东张西望的水鸟……我们一一下这一切,只知道痴迷的着,身外的世界,暮鼓晨钟,离的好远,那是我们共同经历的生命中最单纯美好的时光。

Ear-tipping refers to nicking a cat's ear during surgery to identify it as desexed. It is done within capture, neuter, release programs. They reduce the stray population by returning the altered cats to their original territory. If the cats were simply removed their territory would be filled up by other cats reproducing more to take advantage of the available space and food.

ear-tipping 」是指在CNR计的手术中,在猫的耳朵上留下裂口,做为已完成结扎的识别;这个计将结扎过的流浪动物放回它们的原生区域以降低它们的数量;若将流浪猫自它们的区域移走,其他流浪猫会繁殖更多小猫来侵占可得的空间和食物。

Every artist dips his brush in his own soul, and paints his own nature into his pictures.

每一个艺术家将他的笔浸入他的灵魂,且将他的天性入他的中。

Based on the space reconstruction projects that we actually participated and operated in 2004 to 2006 at Tugou village, this paper used the discussion of the value orientation of each case in community, and the observation plus self-examination among the operation process, as the disserted foundation to analyze the mode and value of self-reliance space in Tugou village.

本研究以笔者於土沟村2004年到2006年,实际参与操作、执行的空间改造计,讨论各计在社区中的价值定位,行动过程中的观察与反省,作为分析土沟农村空间自力营造的模式与价值的论述基础。

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