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Ye bends the waist crisply with the finger in the ground picture character, did not reply, they do not stop asking, Ye Sujiu stood up straight said:"among you who doesn't have the crime, who can take the stone to hit her first" to say continues to bend the waist with the finger in the ground picture character.

耶酥弯着腰用指头在地上字,不回答,他们不停的问,耶酥就直起腰来说:"你们中间谁是没有罪的,谁就可以先拿石头打她"说完又继续弯腰用指头在地上字。

If it falls your lot to be a street sweeper, sweep streets like Michelangelo painted pictures, like Shakespeare wrote poetry, like Beethoven composed music; sweep streets so well that all the hosts of heaven and earth will have to pause and say,"Here lived a great street sweeper, who swept his job well." Martin Luther King, Jr. Readers' Digest 4/92

如果是一个街道清洁工,做打扫街道的工作就像米开朗基罗一幅一样,像莎士比亚写一首诗,像贝多芬作一支乐曲一般;街道清扫得那样好,以至於所有天上和地上的群体都不得不暂停而说,"有一位街道清洁工生活在这里,他清扫的工作做得如此之好"。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中,谷文达以传统水墨的材料和方法表达出不同于当时大多数中国艺术家们这种文化心态和文化认知的现代意识,为中国的现代性提供了一种方案;以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索,一直是中国连绵的努力,在80年代后期汇聚成"现代水墨"(又或曰"抽象水墨"、"实验水墨"),是中国的又一流向,但是不是没有脱离60、70年代美国的"抽象主义"意义,反而还有了拾人牙慧之嫌,所以始终难以获得更大的认可和成功;很有趣的是,与此"西化"流向同时的,还有以非常传统的方式出现的"新文人"潮流,或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制,对传统理想的怀念和诉求,但由于已经失去了其语境和环境,"新文人"显得娇情和造作,而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能;反而是延续传统一脉的国,由于有巨大的人数基础的本土文化的认同,在中国经济发展后有了更大的市场,所以还是蔚然为中国的一大潮向,从这也可以看到中国文化承传的保守性的力量。

With his smiling eyes and wide-brimmed hat, he has a youthful look, but he was in his mid to late 40s when the likeness was painted.

中他有着会微笑的眼睛,戴者宽边的帽子,使他看上去很年轻。但其实他被的时候已经是在40岁中后期了。

He drew a picture of wintry scene.

了一幅冬天景色的

Here we've got a car but we don't have any robots, so that's what made this project way harder than Pearl Harbor, where we had real planes to look at," says Ron Woodall, admitting that he painted some cars to look twice as dirty as their exteriors."

Ron Woodall说:「我们有车辆的实物,但是,我们没有机器人的实物。所以,这就是为什麼这个计比珍珠港更难的原因,在珍珠港计时,我们有真正的飞机作为依据。

Draw a picture of a word you have learned.

一幅描述一个你学过的单词。

No! I drew a picture of Alois. That's all. The old man sighed.

没有。我只是给阿洛伊斯了一幅,仅此而已。

Recognizing who the customer was, the manager was most apologetic and 'reprimanded the assis

这次展览引起报界广泛注重,因为这些名义上是名家的作品,事实上是迪基自己的。

Recognizing who the customer was, the manager was most apologetic and 'reprimanded the assis

这次展览引起报界广泛注意,因为这些名义上是名家的作品,事实上是迪基自己的。

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This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

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扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。

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