男爵

Heck, it was developed by the best stuntman/make up effects artist we know - and if it's tough enough for him while he's helping the likes of Hellboy and Tron, you better believe it's tough enough for you.

哎呀，这是由最好的特技演员/艺术家组成的影响，我们知道-如果它是对他不够强硬，而他的帮助地狱男爵和特隆喜欢，你最好相信它很难对你不够。

But the Baron was exalted by wine, wrath, and scorn, above all sublunary considerations

可是，男爵由于喝了酒，又气愤，又轻蔑，一切都在所不计了。

But the Baron was exalt ed by wine, wrath, and scorn, above all sublunary considerations

可是，男爵由于喝了酒，又气愤，又轻蔑，一切都在所不计了。

But the housekeeper had served Sir Geoffrey for many years, arid the dried-up, elderly, superlatively correct female you could hardly call her a parlour-maid, or even a woman..

那多年服侍过佐佛来男爵的女管家是个干枯了的毫无苟且的老东西。她不但不象个女仆，连女人都不象。

At last he said that he would sign the charter at such time and place as the barons might name.

最后他说，他愿意按照男爵们指定的时间和地点签署宪章。

"So," added Madame de Villefort, constantly returning to her object,"the poisons of the Borgias, the Medicis, the Renes, the Ruggieris, and later, probably, that of Baron de Trenck, whose story has been so misuse d by modern drama and romance"

"那么说，"维尔福夫人接着说道，她老是把话头拉回到她的题目上来，"近代戏剧和传奇小说中把故事都完全弄错了，凡是布琪亚，梅迪契，罗吉里斯，以及后来德邻克男爵所用的毒药"

"So," added Madame de Villefort, constantly returning to her object,"the poisons of the Borgias, the Medicis, the Renes, the Ruggieris, and later, probably, that of Baron de Trenck, whose story has been so misused by modern drama and romance"

"那么说，"维尔福夫人接着说道，她老是把话头拉回到她的题目上来，"近代戏剧和传奇小说中把故事都完全弄错了，凡是布琪亚，梅迪契，罗吉里斯，以及后来德邻克男爵所用的毒药"

Then changed, I trow, was that bold Baron's brow.

我相信，那勇敢男爵的表情已有变化。

Then alterd, I trow, was those bold Baron's brow.

我相信，那勇敢男爵的表情已有变化。

Free, and shall have its rights undiminished, and its liberties

这一明显由我们自己的自由意志决定的条款将得到遵守，毋论现在我们和我们的男爵

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。