男爵

Of or relating to a baron or barony.

侯爵的爵位在男爵之上。

One barony will consist of 3 to 13 strongholds, each one with a fortress.

一个男爵领地包含3到13个据点，每个据点有一个要塞。

You will find the author's barony photogenic, and the author, if we should spot him, has weathered well himself.

准备好你们的相机，如果我们有幸碰上他，会发现我们的作者穿戴整齐，是位很有镜头感的男爵。

If no hunter enters the barony to hunt, the baron will lose money. Hunting brings hunters SXP.

假如没有猎人进入领地打猎，男爵将损失金钱，打猎能增加打猎的社会经验。

A barony switches ownership when the baron's fortress is occupied by the opposition.

当男爵的要塞被敌手所占领，那么该领地的所有权将易主。

The baron won't be there to be bored with my friends.

男爵不会到场让我的朋友烦心的

But, perhaps, the baronet thought of a certain Signora Beatrice who very cruelly entreated a gentleman called Benedick, but who was, it may be, heartily in love with him at the same time.

但，也许从男爵想到某一位贝特丽丝小姐，她十分冷酷地对待一位叫做培尼狄克的先生，然而，说不定她同时也由衷地热爱着他哩。①

Generally outside of work, I try to experiment with different styles, or to polish and furnish a personal universe. I have a lot of fun thinking up creatures belonging to this world of my creation, and the particular character I'm talking about in this 'making of' article belongs to the "Sang Bleu" series – a mix between "metabaron" and "moebius".

通常在日常工作之外，我尝试各种不同的风格，来搭建一个私人的世界，我有很多有趣的角色设想是属于我创造出来的这个世界，在这篇教学文章里描述的角色是属于"Sang Bleu"系列的，一个"男爵"和"莫必斯"之间的混合体，。

Dad said that when I went to Australia after a first visit to Queensland's Baron De Boer.

爸爸说，当我到澳大利亚后，得先去拜访昆士兰的德·伯尔男爵。

Author Claims Bootlegger Al Capone Not the Beer Baron That Historians Portray Him to Be - CHICAGO, Ill.

作者声称不是啤酒盐政铝卡邦男爵历史学家认为他是塑造-芝加哥ill。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。