男爵

The Baroness: Would you look at that Real American heroes...

男爵夫人："你看怎么办呢？真正的美国英雄们……"

Baroness: Well, what would you call me, George?

男爵夫人：那么，乔治，你怎么说我呢？

I said:"Baroness adults, it gave me three days free, the fourth day I find you?"

我说："男爵大人，给我三天自由吧，第四天我去找你如何？"

You are very good, my boy, you are very good, the baronet murmured in a broken voice.

你很好，我的孩子，你很好，从男爵用断断续续的声音喃喃地说道。

Then he must be mad," said the baronet--"he must be mad.

那么他必定是疯了，"从男爵说道——"他必定是疯了。

The old baronet said this in that semi-thoughtful tone with which we speak of other people's affairs.

老男爵说这番话，用的是一半在思索的调子，就象他讲起别人的事情一样。

"I am reading the 'Agricultural Chemistry'," said this excellent baronet.

"我正在读《农业化学》，"这位风度翩翩的从男爵说。

The company and the splendour which he met there were not to the Baronet's taste.

遇到的客人和见到的气派，都不合乎男爵的口味。

He made no attempt to preare the way for the terrible revelation which the baronet was to hear.

他没有费什么功夫为从男爵将要听到的可怕的自白作好准备。

Upon my word," exclaimed the baronet,"I think that boy is half mad.

说实在话，"从男爵大声说道。"我认为这孩子一半儿疯了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。