男爵

This was why he had come to work for the baroness for three months.

正是为此，他来为男爵夫人打工三个月。

Baroness: Come my dear, we are all women.

男爵夫人：来吧，亲爱的，我们都是女人。

Baroness: Surely you've noticed the way he looks into your eyes.

男爵夫人：你肯定注意到他看你的眼神了。

"In the baroness's box, I believe ."

"大概是在男爵夫人的包厢里吧。"

The Baroness: He must have given up.

男爵夫人："他必须放弃。"

"I was going to ask you," replied the baroness with a beating heart

"我正要问你我该怎么办，"男爵夫人心情紧张地说。

Thank you, Baroness, for reminding me that I am a guest here.

男爵夫人谢谢你提醒我我是这里的客人

M: I taught them something to sing for the Baroness.

我教了他们一些歌，唱给男爵夫人听的。

M: Baroness, I hope you're joking.Baroness: Not at all.

玛：男爵夫人，希望你是在开玩笑。

Baroness: You know, you're much less of a riddle when I see you here, George.

男爵夫人：乔治，你知道吗，在这儿看你，你就已经不再是个难解的迷了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。