男性的

In light of Edgar Allan Poe's personal love experience,we find that many of his male characters undergo a psychological process from Oedipus complex to narcissism,to fetishism and to necrophilia while his female characters are primarily treated as "the other" who merely serves as the object for male observation and their exercise of sentimental intoxication,therefore the doomed victim of murder when analyzing the gender relation in his grotesque tales.

以爱伦·坡的情感经历作为参照，对其怪诞小说中的****关系进行分析，我们发现作者笔下的男性经历着一个由恋母到自恋甚至恋物、恋尸的畸形心理演变过程；女性则多属于男性自我陶醉而创造的"他者"，这一角色定位和她们终被谋杀的厄运，都折射出男权思想的严酷。

In light of Edgar Allan Poe's personal love experience, we find that many of his male characters undergo a psychological process from Oedipus complex to narcissism, to fetishism and to necrophilia while his female characters are primarily treated as "the other" who merely serves as the object for male observation and their exercise of sentimental intoxication, therefore the doomed victim of murder when analyzing the gender relation in his grotesque tales. The fate of those female characters reflects the relentlessness of Poe' zs patriarchal ideology.

以爱伦坡的情感经历作为参照，对其怪诞小说中的两性关系进行分析，我们发现作者笔下的男性经历着一个由恋母到自恋甚至恋物、恋尸的畸形心理演变过程；女性则多属于男性自我陶醉而创造的"他者"，这一角色定位和她们终被谋杀的厄运，都折射出男权思想的严酷。

Set aside what your friends expect, what your parents demand,what your acquaintances require. Set aside the messages its culture sends about howyou should behave. Set aside the old traditional notion of female as nurturer and maleas leader; set aside, too, the new traditional notions of female as superwoman andmale as oppressor.

不要理会朋友的期待、父母之命和熟人的要求；不要理会文化所传递出的你应该如何举止的信息；不要理会女性应养儿育女而男性担当领导的传统旧观念；也不要理会女性应是超人而男性应是压迫者的新的"传统观念"。

The Marxist-about-woman is to reveal the fact that as the force of impeling society development, women should take the same social station and the same right of choosing and creating a new life. The quiddity of Marxist-about -woman is to pay attention to the lost subjectivity of women in history.

马克思主义妇女观旨在控诉女性被奴役的不合理性，揭示女性与男性同作为推动社会历史发展的主体力量，当享有与男性同等的社会地位，有选择和创造新生活的权利，其实质就是对人类历史发展过程中失却了的妇女主体性的关注。

Objective:to study the epidemiologic characteristic of mortality of malignant tumors in zhongshan city.method:selecting the investigated datum of mortality of malignant tumor in zhongshan city as sample uses sas statistics software to analyse and forecast the mortality by time series.results:morlality of male malignant tumor and both male and female malignant tumour showed the risen trend from 1970 to 1989.the trend will be kept in future.both will be separately risen to 121.05/105 and 83.92/105 in 2 000.mortality of female malignant tumour will be kept in about 43.59/105 in 2000.couclusion:mortality of both male and female malignant tumor takes on the trend of diffirent change.the male showed risen trend;the female showed the fluctuation of non-trend random.rising mortality of malignant tumor greatly threaden the crowd health.

目的：研究中山市恶性肿瘤死亡率的流行学特点，为制定防治计划提供依据。方法：以中山市恶性肿瘤死亡率调查资料为样本，应用sas统计分析软件对恶性肿瘤死亡率进行时间序列分析与预测。结果：1970～1989年男性恶性肿瘤死亡率和男女合计恶性肿瘤死亡率均呈现上升趋势且有继续保持的趋势。到2000年将分别上升为121.05/10万和83.92/10万左右；女性恶性肿瘤死亡率呈现无趋势的随机波动且将继续保持下去，到2000年保持在43.59/10万左右。结论：中山市男女恶性肿瘤死亡率呈不同变化趋势，男性恶性肿瘤死亡率呈现上升的趋势，女性恶性肿瘤死亡率呈现无趋势的随机波动。恶性肿瘤死亡率的上升对人群的健康构成重大威胁。

After defining the feminine literary criticism from " Female Angle of View ", this paper gives the general description of the practice of Chinese literary criticism since 1900's as well as the analysis of individual characteristics, with the purposes of showing the spirit of creativity and vigorousness in it and giving a summarization of the deficiency in practicing. And all the work is done from three aspects:(1) Reconstruction and construction concentrating on the traditional literary criticism: that is to critique the masculinism in the traditional culture, to get the knowledge of the male writer's gender discrimination, and to find the source of feminine literature by the way of resistance-like reading.

本文从"女性视角"界定了女性主义文学批评的内涵，对20世纪以来中国女性主义文学批评实践，采用总体描述和个体研究特征分析相结合的方式，以彰显女性主义文学批评的学术创新活力、总结其实践中存在的不足为宗旨，从三个方面进行梳理整合：解构与建构，对传统文化的批判：批判传统文化话语中的男性中心主义，解读男性作家的性别歧视，运用抗拒式的阅读方式寻找女性主义文学传统。

There is a traditional male fear of illegitimacy at work, of course, as we observe in the king's attempts to see his own likeness in Mamillius's face--in a time when male heirs were critical to dynastic survival, wifely adultery was a great fear, as one could witness with Henry VIII and his execution of multiple wives only a half-century before Shakespeare.

有一个传统的男性恐惧私工作，当然，正如我们看到的国王企图看到自己的肖像在Mamillius的脸-在的时候，男性继承人至关重要王朝生存，妻子通奸是一个伟大的恐惧，作为一个可以目睹亨利八世和他的执行多个妻子只是一个半世纪前莎士比亚。

The female awareness in Bi Feiyu ' s novels contain rich and profound historical and cultural implication, but the male-dominated cultural wave will easily overwhelm the female awareness to desexualize those women, making them infemine, the male perspecitve is strengthened and identifiedby society and finally the men write will more and more overlook the real personalized experience of women.

毕飞宇关于女性意识的小说虽然蕴涵着厚重的历史文化，但在男权为核心的文化潮流中容易淹没作品中的女性意识，使女性不成为女人，而是&类女人&，并且这种男性视角题材选择的厚重的特点不断地得到社会的认同和强化，它将最终使男性作家书写女性意识时更加不注重女性真正的个体体验。

After defining the feminine literary criticism from " Female Angle of View ", this paper gives the general description of the practice of Chinese literary criticism since 1900's as well as the analysis of individual characteristics, with the purposes of showing the spirit of creativity and vigorousness in it and giving a summarization of the deficiency in practicing. And all the work is done from three aspects:(1) Reconstruction and construction concentrating on the traditional literary criticism: that is to critique the masculinism in the traditional culture, to get the knowledge of the male writer's gender discrimination, and to find the source of feminine literature by the way of resistance-like reading.

本文从&女性视角&界定了女性主义文学批评的内涵，对20世纪以来中国女性主义文学批评实践，采用总体描述和个体研究特征分析相结合的方式，以彰显女性主义文学批评的学术创新活力、总结其实践中存在的不足为宗旨，从三个方面进行梳理整合：解构与建构，对传统文化的批判：批判传统文化话语中的男性中心主义，解读男性作家的性别歧视，运用抗拒式的阅读方式寻找女性主义文学传统。

From the sterile desert inhabited by grotesque cowboys to the junkyard haunted by male violence, the scene has kept evolving, until the introduction of the female view into the picture finally transforms the desolate landscape. This researcher would point out that Shepard not only resists the conventional Western performance but also proves himself to be neither a sexist nor a masculinist, as some critics have labeled him. On the contrary, he emancipates the western landscape from the dominance of patriarchal force and masculine violence through his revisions of the West.

从荒瘠不毛的沙漠，纯男性暴力的垃圾场，最后注入女性观点改造了原本荒凉的地景，谢柏的西部一直在演进发展，而非落入操演西部的窠臼，另一方面也显示了谢柏并非许多评论者认为的阳刚主义男性作家，实际上他解放了长久以来被父权意识形态与阳刚暴力驱控的西部地景

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。