电视的

Then the digital signal is processed in digital field. At last DPTV converts the digital signal into analog signal and display.

数字处理电视是在模拟广播电视传输体制下，将接收到的模拟电视信号转换成数字信号，经过数字处理后再转换为模拟信号并显示输出。

To survey the electromagnetic radiation of Guangdong Radio and Television Emission Tower in Guangzhou.

为了解广州市区广东电视发射塔和广州电视发射塔电磁辐射状况，广州市环境监测中心站对电视发射塔周围的环境进行了监测。

Now, in China, only CCTV and satellitic TV in province can span area to play their programs.

目前，在中国，真正实现电视媒介区域化的，只有省级卫星电视和中央级电视媒介。

Applications of the invention include Pay-Per-View television, teleshopping and telebanking.

本发明的应用程序包括每次观看付费电视、电视购物和电视银行业务。

Digital TV began to appear in the ordinary family, consumer can enjoy thousands of programs along with all kinds of teletext information in their own home now, and the sound and image quality of the programs are all DVD quality.

数字电视已经进入普通家庭，电视观众在家里可以收看到成百上千的电视频道，享受到高清晰度画质和音质的电视节目，以及形形色色的图文交互等信息。

Be in China, opened floor figure telecast formally also 2008, and this market that has most televiewer also entered integral translation digital TV period 2015!

在中国，2008年也正式开通了地面数字电视广播，而2015年这个拥有最多电视观众的市场也将整体平移进入数字电视时代！

John Fiske pays attention to using the Semiology method to study the hegemony forming relations in ideology for TV text,televiewer and TV culture.

菲斯克在自己的电视研究中注重运用符号学方法研究电视文本、电视观众以及电视文化在意识形态中的霸权建构关系。

When you hook up the WebTV Plus service to your television set,you can surf the Internet,watch traditional TV programs, do both at the same time,or watch enhanced programs on your TV.

当你在你的电视机上连接网络电视时，你可以同时上网和看电视，或者看一些高级的电视节目。

TIS uses the basic mode for reference of CIS in management of corporation, and develops the theory to form the TIS that is made up of TMIS (Television Mind Identity System),TBIS (Television Behavior Identity System),TVIS (Television visual Identity System) and TAIS(Television Audio Identity System).

这一系统借鉴了企业形象识别系统的基本模式，并在此基础上进行了发展，建立了由电视理念识别系统、电视行为识别系统、电视视觉识别系统和电视听觉识别系统四个要素构成的形象战略系统，试图为电视媒体的形象建设实践提供有益的帮助。

The Chinese television profession from it that moment which is born in China, experienced take propagandized the attribute as the leading first stage, take creator art work attribute as leading second stage, Enters slowly has occupied the dominant position now by the cultural commodity the third stage, after at present this stage field weight standard is each column weighting the viewing ratio height, But regardless of has various understanding and the discussion to the viewing ratio, also no matter the viewing ratio essence is good or bad, the list from the data analysis starting point, it indeed can reflect and explain very many questions, In view of the fact that the author at the Central Committee Television seventh set of agriculture program " the date of the countryside " the column practical work experience with CCTV Rope Luck Switzerland Investigation Company the data feedback which column each reception of TV investigates to "the date of the countryside", Simultaneously furthermore has to the agricultural dissemination study concrete understanding, this article analyzes emphatically from the television jobholders' angle to this range pole -like viewing ratio data, obtains corresponding fords the agricultural television conversation class program the creation method and to the television medium thorough understanding.

中国电视行业从其在中国诞生的那一刻起，经历了以宣传属性为主导的第一阶段，以创作者艺术作品属性为主导的第二阶段，慢慢进入了现在以文化商品占主导地位的第三阶段，目前这个阶段业界的衡量标准就是各频道各栏目加权后收视率的高低，但是无论对收视率有何种理解和探讨，也不管收视率的本质是好还是坏，单从数据分析的出发点来说，它的确能够反映和说明很多问题，鉴于笔者在中央电视台第七套农业节目《乡约》栏目的实际工作经验和央视索福瑞调查公司对《乡约》栏目各项收视调查的数据反馈，同时更兼有对农业传播学的具体理解，本文着重从电视从业人员的角度对这个标杆式的收视率数据加以分析，得出相应的涉农电视谈话类节目的创作方法和对电视媒介走向的理解。因此本文是建立在对《乡约》栏目的收视率数据分析、受众收视倾向分析以及《乡约》栏目的电视节目创作经验总结基础上所得出的涉农类电视访谈节目的创作规律和理念。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。